Dunes, South Shore

Name/Title

Dunes, South Shore

Entry/Object ID

2005.04.10

Tags

Westwood deinstall Fall 2023

Description

A screenprint of grass covered dunes. The sky is grey, the sand is yellow, the grass in the foreground is green, brown, and purple, the grass in the background is purple. All areas of the grass have black lines for texture.

Type of Print

Screenprint

Artwork Details

Medium

Paper

Acquisition

Accession

2005.04

Source or Donor

Robert Browning Reed

Acquisition Method

Gift

Credit Line

Gift of the Artist

Made/Created

Artist

Robert Browning Reed

Inscription/Signature/Marks

Type

Title

Location

Bottom left of print

Transcription

Dunes, South Shore

Material/Technique

In Artist's Hand, Pencil

Type

Signature

Location

Bottom right of print

Transcription

Robert Browning Reed

Material/Technique

Pencil, In Artist's Hand

Type

Print number and run

Location

Center bottom of print

Transcription

6/16

Material/Technique

Pencil, In Artist's Hand

Lexicon

Nomenclature 4.0

Nomenclature Secondary Object Term

Print, Screen

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

Matting

Height

24 in

Width

26 in

Dimension Description

Sheet

Height

20 in

Width

21 in

Dimension Description

Image

Height

14 in

Width

16 in

Exhibition

“Great Outdoors” (2012)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Professor emeritus Robert Reed (1922-2007) taught printmaking and drawing at Purdue from 1958 until 1987. Reed’s life works include drawing, painting, sculpture, pottery, and printmaking. He also created silver jewelry, masks, mobiles, and birdhouses.

Label Type

Cultural/Historical Context

Label

"Robert Browning Reed attended Indiana University, where he received his Bachelor of Fine Arts degree in 1948, and in 1950, he received further training at the Escuela de Pentura y Escultura in Mexico City. Shortly afterward, he returned to Indiana University to obtain his MFA degree. Reed started teaching at Purdue University in 1958 and retired in 1987, after serving twenty-nine years in what was then called the Department of Creative Arts. Reed’s prints can be found in over 150 private and institutional collections, and they have been shown in over 150 national, international, and regional exhibitions. Reed’s technique has changed from woodcuts to prints made in the intaglio and serigraphy techniques; the print entitled Indiana Dunes, South Shoreline is done in the silkscreen method. It was produced during the middle part of his career. This print depicts one of the many sites in the Indiana Dunes State Park, and it shows wild grasses growing atop the sand. The viewer can see a path within the dune, probably part of one of the many trails in the State Park. The top quarter of the landscape represents the skyline, and the rest of the image is composed of the dune itself. The colors Reed used to create this image are matte in tone, something typical of serigraphs. Shades of purple, green, and burgundy enhance the plant life; yellow is used for the sand; and a light pink depicts the skyline. Black breaks up the solidity of the colors and emphasizes details. Quick strokes depict individual blades of the tall grasses. The South Shore image creates an impressionistic effect in its subtle polychromy. Reed specialized in landscape imagery in much of his printmaking. This work is a landmark in the world of printmaking of the American Midwest. Indiana Dunes, South Shoreline complements the woodcuts Robert Reed made of the Wabash River and all of these images represent regions in Reed’s home state of Indiana. The images of the river shore, done primarily in a single color, contrasts nicely with the matted flat colors in the South Shore image. One difference between Reed’s Wabash images and his print of the dunes is that the South Shore scene appears impressionistic vis-à-vis the more straightforward Wabash images. The manner of depicting the grasses in the South Shore image suggests they were drawn rapidly onto the silkscreen. By contrast, the Wabash images feature realistic detail, visible, for example, in the architectural background of Wabash II. Amy Pivovarnik "