Da Vinci's Dog

The image shows a detailed, model dog suspended from the ceiling, featuring vibrant orange and yellow colors with extended wings, capturing a dynamic pose. The dog's design includes intricately structured limbs and a segmented body, suggesting movement.This canine is the artist's depiction of what Leonardo da Vinci's dog may have looked like as the inventor experimented with ideas about flight.

The image shows a detailed, model dog suspended from the ceiling, featuring vibrant orange and yellow colors with extended wings, capturing a dynamic pose. The dog's design includes intricately structured limbs and a segmented body, suggesting movement.This canine is the artist's depiction of what Leonardo da Vinci's dog may have looked like as the inventor experimented with ideas about flight.

Name/Title

Da Vinci's Dog

Entry/Object ID

1989.1.1

Type of Sculpture

Free Standing

Artwork Details

Medium

wood, canvas, copper

Category

Calvin Faculty Artist, On-Display at Calvin University, Animals

Made/Created

Artist

James Mellick

Date made

1987

Dimensions

Dimension Description

overall

Height

23 in

Width

74 in

Depth

40-1/2 in

Exhibition

De Anima: Center Art Gallery - January 10 - February 10, 1989

General Notes

Note

Expanded Wall Label: Known for his fine craftsmanship, James Mellick’s metaphoric and decorative sculptures combine an understanding of animal behavior and anatomy with structural engineering. His dogs, birds, horses and other animals are beautifully sculpted and often found in combination with each other. In each circumstance, these pieces act as totems or social commentaries, drawing attention to the unique beauty of the animal or the importance of a personal concern. Mellick earned his MFA from Southern Illinois University at Edwardsville in 1973, and has continued to teach and exhibit extensively since then. From 1989-1991 he taught sculpture at Calvin College, and both this piece as well as Northwest Indian Macaw were purchased from him during that period. He writes about this work, “this is the moment Leonardo Da Vinci attaches his faithful but wimpish Italian Greyhound, “Boneninni,” to one of his gliders and tests his theory of flight from the balcony of his studio. Da Vinci’s dog is a forerunner to all the monkeys and dogs sacrificed for the exploration of space and the research for medicine. How could his master betray him, leaving him vulnerable to the high technology of his day? Why did the sun melt the wings of Icarus? Why did the space shuttle Challenger explode? How dare the technology we trust turn against us!”