Tel Hazor

The artwork depicts a surreal landscape with abstract mountains in shades of purple and orange, towering over a row of gray, elongated figures, while a central monument-like structure with a crescent moon and hand-like shapes creates a mysterious focal point.

The artwork depicts a surreal landscape with abstract mountains in shades of purple and orange, towering over a row of gray, elongated figures, while a central monument-like structure with a crescent moon and hand-like shapes creates a mysterious focal point.

Name/Title

Tel Hazor

Entry/Object ID

2017.13.9

Type of Print

Collagraph

Category

On-Display at Calvin Seminary, Abstract, Landscape, Symbol, Design/Pattern/Shape

Made/Created

Artist

Sandra Bowden

Date made

1983

Dimensions

Dimension Description

image size

Height

29 in

Width

21-1/2 in

Dimension Description

frame size

Height

40-3/4 in

Width

33-1/4 in

General Notes

Note

Expanded Wall Label: This print is part of the Israelite Tel Suite series. The Israelite Tel suite is a collection of four intaglio collagraphs, depicting important archaeological sites relating to Biblical Israel. A tel is a mound covering the site of some ancient settlement, generally consisting of many layers of rubble and artifacts left by succeeding civilizations. Strata accentuated by horizontal lines divide the picture into three levels, forming a cross section of archaeological time. In the Israelite Tel Suite, Bowden brings together earth and time, incorporating the present landscape of each site, some finds embedded in a strata, and centered in each piece, a significant specific object relating to the tels history. Hazor was a large Cannanite and Israelite city in Northern Galilee near Mount Hermon. The Bible refers to Hazor in the time of Joshua’s battles. A Canaanite sanctuary was found in the lower city of Hazor which contained a number of basalt pillars, one with two hands raised toward a divine lunar symbol of a crescent moon and circle. A collagraph is an intaglio printing process, which used a built-up collaged plate made from a great variety of materials (strips of fabric, thread, aluminum foils, plants, marble dust, acrylic modeling paste) that are glued onto the surface of the masonite or cardboard. The surface is then painted or inked and run through an etching press at several thousand pounds of pressure, thereby transferring the paint and the texture to the surface of the paper. The process is completely repeated to create another print in the edition.