Tel Lachish

The image is an intriguing artwork combining elements of textured layers and ancient-style engravings, featuring a patterned backdrop with figures in traditional robes, possibly depicting a ceremonial procession; above them, abstract earth-toned bands convey a sense of landscape, while a blue-gray area with unreadable inscriptions adds an enigmatic quality, inviting viewers to ponder the underlying narrative or historical context.

The image is an intriguing artwork combining elements of textured layers and ancient-style engravings, featuring a patterned backdrop with figures in traditional robes, possibly depicting a ceremonial procession; above them, abstract earth-toned bands convey a sense of landscape, while a blue-gray area with unreadable inscriptions adds an enigmatic quality, inviting viewers to ponder the underlying narrative or historical context.

Name/Title

Tel Lachish

Entry/Object ID

2017.13.10

Type of Print

Collagraph

Category

On-Display at Calvin Seminary, Abstract, People, Design/Pattern/Shape, Landscape

Made/Created

Artist

Sandra Bowden

Date made

1983

Dimensions

Dimension Description

image size

Height

29 in

Width

21-1/2 in

Dimension Description

frame size

Height

40-3/4 in

Width

33-1/4 in

General Notes

Note

Expanded Wall Label: This print is part of the Israelite Tel Suite series. The Israelite Tel suite is a collection of four intaglio collagraphs, depicting important archaeological sites relating to Biblical Israel. A tel is a mound covering the site of some ancient settlement, generally consisting of many layers of rubble and artifacts left by succeeding civilizations. Strata accentuated by horizontal lines divide the picture into three levels, forming a cross section of archaeological time. In the Israelite Tel Suite, Bowden brings together earth and time, incorporating the present landscape of each site, some finds embedded in a strata, and centered in each piece, a significant specific object relating to the tels history. Tel Lachish was a prominent Israelite city southwest of Jerusalem. Its significant finds include ostraca of great interest for linguistic research of ancient Hebrew. This one is written in a cursive script, the most developed form of Paleo-Hebrew. The lower section of the print is a portion of a. mural found at Ninevah depicting the Israelites being marched into captivity by King Sennacherib. A collagraph is an intaglio printing process, which used a built-up collaged plate made from a great variety of materials (strips of fabric, thread, aluminum foils, plants, marble dust, acrylic modeling paste) that are glued onto the surface of the masonite or cardboard. The surface is then painted or inked and run through an etching press at several thousand pounds of pressure, thereby transferring the paint and the texture to the surface of the paper. The process is completely repeated to create another print in the edition.