Mother Ignatius Saar (1892 - 1894)

Name/Title

Mother Ignatius Saar (1892 - 1894)

Entry/Object ID

2025.7.7

Description

Title [assigned by artist]: Mother Ignatius Saar, CCVI (1892 – 1894) Mother Ignatius Saar (1858 – 1894) was born in Labach, Prussia on June 8, 1858. She entered the Congregation in 1878, took her first vows in 1880, and made her final profession in 1885. Mother Ignatius missioned at Santa Rosa Hospital and St. Joseph’s Orphanage in San Antonio before being elected General Superior in 1892. She served in this role until her death on October 14, 1894. In this painting, Madame Maria Bartha (1885 - 1973) depicted Mother Ignatius in a ¾ length, face-forward portrait. Mother wears the habit of the Sisters of Charity of the Incarnate Word. She holds her hands at the front of her waist, displaying her ring of consecration and holding a book. This painting is part of a 1943 portrait series that Madame Bartha painted of the CCVI General Superiors. Título [asignado por el artista]: Madre Ignacia Saar, CCVI (1892-1894) La Madre Ignacia Saar (1858-1894) nació en Labach, Prusia, el 8 de junio de 1858. Ingresó en la Congregación en 1878, hizo sus primeros votos en 1880 y profesó sus votos perpetuos en 1885. Madre Ignacia trabajó en el Hospital Santa Rosa y en el Orfanato San José de San Antonio antes de ser elegida Superiora General en 1892. Desempeñó este cargo hasta su muerte, el 14 de octubre de 1894. En este cuadro, Madame Maria Bartha (1885-1973) retrató a la Madre Ignacia de tres cuartos, de frente. La madre lleva el hábito de las Hermanas de la Caridad del Verbo Encarnado. Tiene las manos delante de la cintura, mostrando su anillo de consagración y sosteniendo un libro. Este cuadro forma parte de una serie de retratos de 1943 que Madame Bartha pintó de las Superioras Generales de las CCVI.

Type of Painting

Easel

Artwork Details

Medium

Oil on Canvas

Collection

Personnel Membership-Sisters

Made/Created

Artist

Maria Bartha

Time Period

20th Century

Notes

Undated; however, Bartha’s portraits of Mother Bonaventure Burns and Mother Mary John O’Shaughnessy—from the same series of portraits of CCVI Congregational leaders—date to 1943

Inscription/Signature/Marks

Type

Signature

Location

Bottom right corner of canvas

Transcription

"M. Bartha."

Material/Technique

Painted, In Artist's Hand

Type

Label

Location

Bottom center of frame

Transcription

Mother Ignatius Saar 1892 - 1894

Language

English

Material/Technique

Etched

Notes

Dates (1892 -1894): term that Mother served as the General Superior

Lexicon

Nomenclature 4.0

Nomenclature Secondary Object Term

Portrait

Nomenclature Primary Object Term

Picture

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

Getty AAT

Concept

canvas paintings, portraits

LOC Thesaurus for Graphic Materials

Oil paintings, Portraits, Nuns

Research Notes

Research Type

Curator

Notes

Madame Maria Bartha (1885 – 1973) was born Alice Maria Blau on January 12 or 13, 1885 in Nagykanizsa, Nagykanizsai, (Nagy-Knizsa) Zala County, Hungary. Though the dates are unknown, she claimed to have received degrees from the University of Paris and the Sorbonne, studied at the Academy Julien in Paris, studied with Philip de László in Vienna and Paris, and with a Professor Marino in Italy. Bartha arrived in New York City on May 1, 1939 on the S.S. Normandie, originally intending to stay in the United States for six months. As reported in the Duluth News Tribune on September 29, 1946, “Coming to this country before World War II broke out for a visit with friends, the artist was captivated with America and decided to remain here. ‘It would be too sad to return now,’ she said.” Bartha, whose birth surname was Blau before marrying Maxmilian Stein in 1907, was of Jewish Hungarian descent. Indeed, her move to America and name change served to keep her safe from persecution during WWII. Upon her arrival, Bartha quickly became part of the New York City art scene. She completed numerous commissioned portraits and showed her work in several exhibitions, including shows at the Alma Reed Gallery and Bonestell Gallery. In 1942, the US Department of War commissioned Bartha to paint a portrait of General Douglas MacArthur for the Texas Military Institute in San Antonio, Texas, MacArthur’s alma mater. In the fall of 1942, Bartha joined the teaching staff of the Incarnate Word College Art Department. In 1943, she completed seven painting for the Sisters of Charity of the Incarnate Word of their founders and the Congregation’s General Superiors until 1941. In 1946, Bartha joined the teaching staff of the College of St. Scholastica in Duluth, Minnesota. She painted a mural for the College’s library from 1948 to 1949 that depicted Benedictine Sisters and their activities. She left St. Scholastica at the end of the 1950-51 academic year for Houston, Texas, where she would spend the rest of her life. Bartha was a highly sought-after portrait painter in Houston. She operated a studio out of her home, where she painted on commission for numerous members of Houston high society. She was also a member of the Art League of Houston and exhibited her work at the Art League, Museum of Fine Arts Houston, and the Junior League of Houston. Bartha traveled frequently throughout her life and spent nearly every summer in Europe. She died on February 22, 1973 in Houston from complications of pneumonia following a stroke.

Research Type

Curator

Notes

Madame Maria Bartha (1885 - 1973) nació como Alice Maria Blau el 12 o 13 de enero de 1885 en Nagykanizsa, Nagykanizsai, (Nagy-Knizsa) Condado de Zala, Hungría. Aunque se desconocen las fechas, afirmó haberse licenciado en la Universidad de París y en la Sorbona, estudió en la Academia Julien de París, estudió con Philip de László en Viena y París, y con un profesor Marino en Italia. Bartha llegó a Nueva York el 1 de mayo de 1939 en el S.S. Normandie, con la intención inicial de permanecer en Estados Unidos seis meses. Como informó el Duluth News Tribune el 29 de septiembre de 1946, "Cuando llegó a este país antes de que estallara la Segunda Guerra Mundial para visitar a unos amigos, el artista quedó cautivado por América y decidió quedarse aquí. Sería demasiado triste volver ahora', dijo". Bartha, cuyo apellido de nacimiento era Blau antes de casarse con Maxmilian Stein en 1907, era de ascendencia judía húngara. De hecho, su traslado a Estados Unidos y el cambio de nombre sirvieron para mantenerla a salvo de la persecución durante la Segunda Guerra Mundial. A su llegada, Bartha se integró rápidamente en la escena artística de Nueva York. Realizó numerosos retratos por encargo y participó en varias exposiciones, entre ellas las de la Alma Reed Gallery y la Bonestell Gallery. En 1942, el Departamento de Guerra de Estados Unidos encargó a Bartha un retrato del general Douglas MacArthur para el Texas Military Institute de San Antonio, Texas, alma mater de MacArthur. En otoño de 1942, Bartha entró a formar parte del profesorado del Departamento de Arte del Incarnate Word College. En 1943, pintó siete cuadros para las Hermanas de la Caridad del Verbo Encarnado de sus fundadoras y de las Superioras Generales de la Congregación hasta 1941. En 1946, Bartha se incorporó al profesorado del College of St. Scholastica de Duluth, Minnesota. Entre 1948 y 1949 pintó un mural para la biblioteca del colegio que representaba a las Hermanas Benedictinas y sus actividades. Scholastica al final del curso académico 1950-51 para trasladarse a Houston, Texas, donde pasaría el resto de su vida. Bartha era una retratista muy solicitada en Houston. Tenía un estudio en su casa, donde pintaba por encargo para numerosos miembros de la alta sociedad de Houston. También fue miembro de la Liga de Arte de Houston y expuso sus obras en la Liga de Arte, el Museo de Bellas Artes de Houston y la Junior League de Houston. Bartha viajó con frecuencia durante toda su vida y pasó casi todos los veranos en Europa. Murió el 22 de febrero de 1973 en Houston a causa de una neumonía provocada por un derrame cerebral.