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There are multiple elements in this poster that create a somber mood of tranquility. The triangular composition created by leading lines establishes a sense of stability and harmony, carrying a message of possible evangelism. His inclusion of a heavenly light, along with the moon, symbolizes the realm of the unconscious, as well as manifestation and growth. The spiritual context of the pearl portrays the kingdom of heaven, with the stairs possibly leading to those pearly gates. Singer conjures a surreal atmosphere of the physical world, slowly transporting the viewer into a heavenly dreamlike state. The frame and the choice of typography further exemplifies Singer’s characteristic combination of Art Deco style with surreal imagery and photomontage.Label Type
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David Singer was born and raised in Quakertown, Pennsylvania, surrounded by the Pennsylvania Dutch culture. He was exposed to very intricate folk art, and David Singer gravitated towards it. From an early age, Singer was very creative, and artistically gifted. After he graduated high school, he enlisted in the Navy and served until 1964, then settled in San Francisco. After working many odd jobs, Singer found himself meeting with Bill Graham, the founder and promoter of the iconic Fillmore West music venue, to review his portfolio. After twenty minutes of silently studying Singers’ work, Graham immediately commissioned Singer to create twelve new posters. This launched his career with full force—David Singer was commissioned the most work out of all of the iconic Fillmore West Rock poster artists, creating a total of sixty posters for Bill Graham between 1969-1971.