PICTURE (FRAMED)

Object/Artifact

-

St. Joseph Museums

Name/Title

PICTURE (FRAMED)

Entry/Object ID

248/4058

Description

CHINESE MAN & WOMAN/GOD OF WISDOM DES ON DOORS/COVER

Collection

ETHNOGRAPHIC/CHINA

Made/Created

Place

Continent

Asia

Ethnography

Cultural Region

Country

China

Culture/Tribe

Chinese
Asian

Lexicon

Legacy Lexicon

Object Name

PICTURE (FRAMED)

Parts

Count

1

Material

Wood, Glass

Condition

Overall Condition

Fair

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Ancient China is divided into distinct dynasties, each ruled over by a specific family. The guiding principle for the government of ancient China was called the Mandate of Heaven. The Mandate of Heaven was a philosophy that established whether rulers had the right to rule China. The rulers of ancient China were given vast amounts of power, but they had a moral obligation to use it for the good of their people. If a ruler did not do this, then the country would experience natural disasters. These natural disasters would be a sign to the peasants that the ruler lost the blessing of the gods to rule, and thus it was allowed to overthrow the existing government and install a new dynasty. Each dynasty saw specific achievements and major events. The Zhou dynasty (1046 BCE-256 BCE), for example, saw the formalization of their writing system and the rise of such important philosophers like Confucious, Lao-Tzu, and Sun-Tzu. The Qin Dynasty (221 BCE-206 BCE) began construction on the Great Wall of China. Shi Huangdi, the first emperor of the Qin dynasty, built for himself an enormous tomb which he filled with over 8,000 terracotta warriors to serve him in the afterlife. The Han Dynasty (206 BCE-220 CE) saw the invention of paper, established Confucianism as the exclusive philosophy of the government (a practice that has continued through to modern times), opened the Silk Road which opened trade routes to the rest of Asia and into Europe. The Sui Dynasty (589-618 CE) built the Grand Canal, enlarged the Great Wall, standardized coins across the country, built the army to its largest size, and encouraged the development of literature. The famous story Legend of Hua Mulan is thought to have been written during this time. The Tang Dynasty (618-907 CE) is considered the Golden Age of China, where the country saw an elongated period of peace, during which art, culture, and innovation could flourish. During this time, China also saw its first and only female monarch - Wu Zetian. The Song Dynasty (960 - 1279 CE) saw massive strides in artistic forms, characterized by large landscape paintings. Paper money was used for the first time, movable type was invented to make books and literature widely available and easier to print, traditional Chinese pottery was refined and the quintessential blue and white “China” was made popular, and public schooling was made available to all during this time. The Song Dynasty ended when the Mongols, led by Kublai Khan conquered the area, who established the Yuan Dynasty. There were only two more imperial dynasties that followed, and in 1911 the Republic of China was established.

Research Notes

Person

Tori Zieger

Notes

This image shows a Chinese menshen, or door god. These door gods would guard the entrances of buildings against evil influences and would welcome positive influences. At first, the images depicted very specific gods who held the role of protecting doors. As early as the fifth century BCE there are written records of rituals and sacrifices being performed to the spirits of gates and doors of Chinese houses. At first these images would depict very specific gods and images. Over time the images shifted to show different beings. During the Tang dynasty (618-907 CE), the emperor was suffering from nightmares and he ordered the images of two of his generals to be placed on the door. These two generals became deified over time (along with some others) and became a class of martial door gods. Images of these guardians were placed on the outside of doors and were meant to specifically ward off evil spirits and bad intentions. Around the same time images of scholars began to emerge. These civil door gods were placed on the inside of doors and meant to attract positivity, blessings, and good fortune. The image here is of civil door gods. This image is a common one, with the scholar/civil servant being the larger figure with his assistant drawn smaller behind him. While the general image is often very similar, what the official and his aide are holding varies from image to image, depending on what blessings the owner would like to encourage. In this image, the civil servant’s aid is holding a platter with a fish on it. The fish is a symbol of wealth in Chinese culture. The Chinese character used for fish is 鱼 (Yú), which means abundance. From the fish arises smoke in which a dragon can be found. A dragon symbolizes wisdom; the two images together means that the owner of this image was seeking an abundance of wisdom.