Teapot

Ceramic

-

Stenton

Photo by Gavin Ashworth: The image shows an intricately molded off-white teapot with a with detailed relief patterns and a handle.
Photo by Gavin Ashworth

The image shows an intricately molded off-white teapot with a with detailed relief patterns and a handle.

Name/Title

Teapot

Entry/Object ID

A1982.14.141

Description

Slip-cast teapot having a straight-side, quatrefoil body with steep shoulders; a short vertical neck; and a molded s-curved spout; the body molded with three pectin shells on the side lobes, oak leaves and acorns on the front and back lobes, and a meander and vine border at the edge of the shoulders. The pot would have probably had a simple rolled loop handle and a domed, quatrefoil cover. Pectin shells (a type of large scallop) were among the most popular motifs used on Staffordshire white salt-glazed stoneware in the 1740s and 1750s. According to English ceramics specialist Peter Walton, the decoration of molded pectin shells and oak leaves had been associated with the Staffordshire modeler Ralph Wood (1715-1772). Similar teapots, probably made from the same mold, are in the collection of Historic Deerfield (HD61.076), the Mint Museum (Gallagher, British Ceramics (2015), 136), and the Victoria and Albert Museum (2176&A-1901).

Context

The teapot is an excellent example of English salt-glazed stoneware. Though much plainer in color than the other ceramic objects it may have shared table space with, rich surface decoration enabled by the development of slip casting and press-molding technology rendered the clear-glazed stoneware just as decorative. The shell and faunal motifs on this teapot reflect some of the aesthetic trends of the Rococo, which frequently features natural motifs and heavily decorated surfaces. The shape of the spout resembles an S-curve, serving both a functional and aesthetic purpose. Painter William Hogarth's 1753 book The Analysis of Beauty posited that the S-curve was the most beautiful line and excites the attention of the viewer, and that these undulating lines were the basis of beauty in nature.

Collection

Ceramics

Made/Created

Date made

circa 1745 - circa 1755

Place

County

Staffordshire

Country

England

Region

Great Britain, British Isles, Western Europe

Continent

Europe

Notes

Historic Deerfield notes that the design of pecten shells, acorns, and oak leaves has been associated with pieces by Ralph Wood.

Dimensions

Height

4 in

Material

Salt-glazed Stoneware

Relationships

Related Places

Place

Location

Stenton

City

Philadelphia

State/Province

Pennsylvania

Country

United States of America

Continent

North America

Related Events

Event

1982 Archeological Excavation