Freer Gallery of Art, Arthur M. Sackler Gallery, University of Michigan
Place Published
City
Washington, DC
Date Published
2017
Notes
Length: 332
General Notes
Note Type
Contents
Note
Clothes make the man -- Religious belief in burial: funerary dress and practice at the late antique and early Islamic cemeteries at Matmar and Mostagedda, Egypt (late fourth-early ninth centuries CE) -- Inscribed horizontal bands on two cloth-of-gold panels and their function as part of an Ilkhanid dress -- Early modern European court fashion goes global: embroidered Spanish capes from Bengal -- The emperor's humbler clothes: textures of courtly dress in seventeenth-century South Asia -- Sartorial identity: early modern Japanese textile patterns and the afterlife of Ogata Korin -- Lord Byron (1788-1824) in Albanian dress: a sartorial response to the Ottoman Empire -- You are what you wear: Ottoman costume portraits in the Elbise-i Osmaniyye -- From costume to fashion: visions of Chinese modernity in Vogue magazine, 1892-1943 -- Reading "Imperial desire and female subjectivity": critical notes -- Imperial desire and female subjectivity: Umehara Ryuzaburo's Kunyan series -- Adorning the Buddhas: the ceremonial regalia of the Dasa Sthavira Ajus from Kwa Baha, Nepal -- Omani men's national dress: displaying personal taste, asserting national identity.
