![LACAUNARIUM (Decorative Shield with Salamanders) | 1966-71 | Photo by Ann Cady, 2024 | ©2026 Norman Daly Art: The photo depicts an ancient, circular, clay artifact that appears to be a damaged, bas-relief, characterized by a series of small, rectangular indentations running across the center, with two carved salamanders positioned symmetrically around the indentation, which has jagged missing sections on opposite sides, possibly indicative of wear or breakage over time, against a solid gray background that contrasts with the textured, weathered surface of the artifact.
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[1972 Exhibition Catalog] Such shields are obviously too small and delicate to have been used in battles. Instead they were used as newel posts on large, elaborate funerary couches for temple priests. Bartholomew Black traces them to a workshop in Ronup (The Priest in the Llhuroscian World, p. 106). Eric Froehner argues for an Atraxos origin (Kunst and Leben der Llhuros, p. 153).](https://d8e7jbdw4fu0e.cloudfront.net/13541/578716b0-71f2-11ef-93d3-8bf74f0e7432-v86LqFQ.lg@2x.jpg)
The photo depicts an ancient, circular, clay artifact that appears to be a damaged, bas-relief, characterized by a series of small, rectangular indentations running across the center, with two carved salamanders positioned symmetrically around the indentation, which has jagged missing sections on opposite sides, possibly indicative of wear or breakage over time, against a solid gray background that contrasts with the textured, weathered surface of the artifact. -------------------------------------------------------------------------------- [1972 Exhibition Catalog] Such shields are obviously too small and delicate to have been used in battles. Instead they were used as newel posts on large, elaborate funerary couches for temple priests. Bartholomew Black traces them to a workshop in Ronup (The Priest in the Llhuroscian World, p. 106). Eric Froehner argues for an Atraxos origin (Kunst and Leben der Llhuros, p. 153).