Entries | UCSC Institute of the Arts and Sciences
",,,Eh problema es..."
"...UNA RICETTA CHE..."
"..DOS DÍAS MÁS TARDE.."
"A ver? Mientras..."
"And so, after..."
"Buscas a alguien?"
"Eh Guadalupe, soy yo."
"Filthy monster bloody..."
"Fue una vergüenza..."
"Hay una novedad..."
"Hola, Mamasita, perdona..."
"I brought something..."
"Okay let's split"
"Riuscí a controllare..."
"Seguiste a es..."
"También yo podría haber..."
"Tú conoces los..."
"UN GRUPO DE FANÁTICOS.."
"Ugh,,, ya hace casi..."
"Y no salgas de..."
"Y quieres que..."
10th Berlin Biennale for Contemporary Art
35th Biennial de São Paulo: Choreographies of the impossible
A Billion Black Anthropocenes or None
A Billion Black Anthropocenes or None
A Black Gaze
A Black Hole Is Everything a Star Longs to Be
A Bound Woman is a Dangerous Thing
A Darker Wilderness
A Fiction of Authenticity
A History of Art in Africa
A Is for Acorn
A Land With A People: Palestinians and Jews Confront Zionism
A Matter of Conscience: GI Resistance During the Vietnam War
A People's Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements
A Periferia Grita
A Variation of Powers of Ten
A Very Liquid Heaven
A Whale of the Wild
A World Without Wars
AMULETS
Abolishing Carceral Society
Abolition Democracy
Abolition Geography
Abolition Is Love
Abolition. Feminism. Now.
Abundance: Sexuality's History
Adult Development and Aging
African Arts
Afrofuturism: The World of Black Sci-Fi and Fantasy Culture
Against the Anthropocene
Against, Again: Art Under Attack in Brazil
Alberto Breccia panels
All Things Being Equal
America Starts Here: Kate Ericson and Mel Ziegler
Americanah
An Indigenous Peoples' History Of The United States
An Introduction to Visual Culture | Third Edition
Anjou De Cara Suja
Another Promised Land | Otra Tierra Prometida
Aperture Issue no. 182
Apocalypse: Then and Now
Aretha Franklin, recording studio, NYC
Armando Reveron
Armando Reverón
Around the Edge of Encircling Lake
Art Is Not What You Think It Is
Art in Latin America
Art, Technology, and Culture
Artist-Run Democracy: Sustaining a Model
Arts of Living on a Damaged Planet
Arts of Living on a Damaged Planet
Assuming The Ecosexual Position
Atmosphere of Violence
Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable
Atmospheric Noise
Atomic Time
Auras
BATMAN FLASHPOINT #0, Page 17
BATMAN FLASHPOINT, page 5
BOXO BOOK
Batman by Risso
Beautiful Ugly
Because When God Is Too Busy
Because When God Is Too Busy: Haiti, Me & THE WORLD
Ben Webster, Count Basie, Roy Eldredge, Dickie Wells, Doc Cheatham, Gerry Mulligan, Lawrence Brown. Television Studio – ‘Sound of Jazz’ rehearsal, 1957
Beyond A Boundary
Beyond Survival
Beyond the Pink Tide
Big Boss and the Ecstasy of Pressures
Bill Evans, Art Farmer and Paul Motian, recording studio, N.Y.C.
Billie Holiday and Count Basie, “Sound of Jazz” rehearsal, NYC c. 1957 Negative Date: circa 1957
Billie Holiday, recording studio, NYC
Black Against Empire
Black Art: A Cultural History
Black Futures
Black Modernisms in the Transatlantic World
Black Popular Culture
Black Punk Now
Black Quantum Futurism
Black Quantum Futurism Theory & Practice, Volume I
Black Utopias
Black Womanhood: Images, Icons, and Ideologies of the African Body
Black and Blur
Black is a Color
Black on Both Sides: A Racial History of Trans Identity
Black, White and in Color: Essays on American Literature and Culture
Blackboard
Blackness and Value
Blackspace
Blackspace
Blues Legacies and Black Feminism
Bocapiu The Hush Project: The Silent Complicity of the States Black Feminicide in Prisons
Bocapiu, The Hush Pact
Building Socialism
CREEPY #109, page 1
CREEPY #109, page 3
CREEPY #109, page 8
CREEPY #115 "Gabriel's Horn", 12
CREEPY #115, Page 13
CREEPY #115, Page 16
CREEPY #115, Page 17
Caatinga Fractal E O Encontro Da Terra Seca, Água Doce E Água Salgada
Cab Calloway with kids and winner of Calloway Quizzicale, Providence, RI, c. 1938
California Exposures: Envisioning Myth and History
Caplitalism in the Web of Life
Captivating Technology
Carlos Motta: History's Backrooms
Carving out Rights
Casa Rosa Salvador
Caste
Cedric J. Robinson: On Racial Capitalism, Black Internationalism, and Cultures of Resistance
Charlie Persip, Milt Jackson, Horace Silver and Percy Heath, Newport Jazz Festival, Newport RI.
Chasing Me to My Grave
Chu Berry, Danny Barker, Rudolf Rivers, unidentified, Quentin Jackson, Cozy Cole, Tyree Glenn, and Cliff (Cab Calloway’s valet), railroad station, Atlanta GA
Citizen
City of Inmates
Classless Society
Collective Museum Collection
Collective Situations
Colors of the Cage
Contemporary Flânerie
Conversas Possíveis: Palavras para atravessar muros
Corpo de Vento: Exu da Teoria: Travessias Crítico-Performativas Pelas Artes Negras
Could This Be Magic? Tattooing As Liberation Work
Could this be magic? Tattooing as Liberation Work
Count Basie, television studio, NYC
Cozy Cole, Danny Barker and Shad Collins, New Orleans
Crack Up Crack Down
Cria Do Governo
Critically Sovereign
Critique of Black Reason
Crossing Bar Lines
Cultural Moves
Curating The Moving Image
Curator The Museum Journal
DONA FULÔ E OUTRAS JOIAS NEGRAS
Danny Barker and Dizzie Gillespie, on the road with Cab, train c. 1940
Dark Designs and Visual Culture
Dark Matters
Dave Rivera, Jonah Jones, Keg Johnson, Panama Francis, unknown, and Sam ‘The Man’ Taylor, Providence, RI c. 1938
Deana Lawson
Dear 1968,...
Death and Other Penalties
Deathwatch
Decolonizing Culture
Decolonizing Nature
Demetri Makes a Memory Quilt
Der Kalteste Sommer, Comics
Devassos no Paraíso
Diario del Hospicio y otros relatos
Direitos dos Povos Indígenas em Disputa
Dizzy Gillespie, Grande Parade du, Jazz Festival, Nice France
Documenta Fifteen
Dos Brasis
Double Game
Dress Codes
Duress
EERIE #93, Page 6
EERIE #94, Page 1
EERIE #94, Page 7
EERIE #94, Page 8
EERIE #94, page 4
EERIE #96, Page 5
Earth Beings: Ecologies of Practice Across Andean Worlds
Eco-Visionaries: Art, Architecture, and New Media after the Anthropocene
El HOMBRE EN LA LUNA, GENTE Y LA ACTUALIDAD
El Vengador El Dragon Escarlata
El Vengador El Dragon Escarlata
Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else)
Emergent Strategy
Emily Jacir- belongings
Emily Jacir: Belongings: Works: 1998-2003
Encyclopedia of Dog Breeds
Environment and Object: Recent African Art
Environmental Warfare in Gaza
Esther Mahlangu Reacquiring
Eva Hesse and Sol LeWitt
Everything is Connected
Ex Libris
Exhibiting Cultures: The Poetics and Politics of Museum Display
Fabrique A Paris
Failure Biographies
Farming While Black
Farther Traveler
Felon
Felon: Poems
Firminas em Fuga
Fish Story
Flash
For, In Your Tongue, I Cannot Fit
Forest Law - Selva Jurídica
Forging Freedom
Fred Wilson: Objects and Installations 1979-2000
Freddie Green, Count Basie, Billie Holiday, Jo Jones, television studio, “Sound of Jazz” rehearsal, NYC c. 1957
Frida Kahlo
From #BLACKLIVESMATTER to Black Liberation
From #BlackLivesMatter to Black Liberation
Futures of Black Radicalism
GENTE y la Actualidad, Los Nuevos Hombres ¿Hacia Donde?
Games Are Forbidden in the Labyrinth
Games Are Forbidden in the Labyrinth
Gay Outlaw Mutable Object
Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art
Ghana Freedom
Ghostly Matters
Girl is a maid
Girl knocks on door
Girl washes dishes
Girl with cauldron
Gloria Lynne, recording studio, NYC
Go To Jail
Golden Gulag
Golden Gulag
Grief and Grievance
Gupshup Goes to Prison
HOMELAND, Whitney
Hague Yang: ETA. 1994–2018. 2018 Wolfgang Hahn Prize catalogue
Heavenly Bodies
Higher Education and the Carceral State
Home
Home Land Security
Human Instamatic
Human Instamatic
I Saw Ramallah
I Too Sing America
Ideas to Postpone the End of the World
Immediations
Immediations: The Humanitarian Impulse in Documentary
In Catastrophic Times
In Front of Saint Patrick's Cathedral
In Sight of America
In the Place of Justice
In the Spirit of Fluxus
In the Wake: On Blackness and Being
Incarceration Nations
Intolerable
Invisible Man
It Happened at Pomona: Art at the Edge of Los Angeles 1969-1973
J.C. Heard Concert, NYC
J.J. Johnson, Osie Johnson, and Miles Davis, recording studio, N.Y.C.
JLA Classified HYPO - 1 #16 page. 13
JLA Classified HYPO - 2 #17 page 2
JLA Classified Hypo-2 (#17 page 3)
James Prosek: Art, Artifact, Artiface
Jonah Jones and Holmes (Cab’s chauffeur,) Little Rock AK. C. 1941
Jump: Black Anarchism and Antiblack Carcerality
Justice for Some: Law and the Question of Palestine
Juvenile In Justice
K5
Kader Attia
Kai Winding and Tony Scott, recording Studio, NYC c. 1955
Lady Sings the Blues
Language Has No Weather
Leonard Feather, Willie “The Lion” Smith, Duke Ellington and Henry Kissinger (Duke’s 70th Birthday Party) at the White House, Washington, DC.
Let The River Flow: An Eco-Indigenous Uprising and Its Legacy in Art, Ecology and Politics
Letters of the Law
Liberated Voices
Life Beside Bars
Life is Not Useful
Life? or Theatre?
Listening to Images
Locked in the Closet
Louis Armstrong, hotel room, Seattle, WA
MAN & YOSEMITE
Made in Palestine
Makunaimā
Malamp
Marielle Franco
Marking Time
Measure
Medical Apartheid
Memórias Do Futuro
Men We Reaped
Meridians: feminism, race, transnationalism
Meridians: feminism, race, transnationalism Volume 11, Number 1, 2011
Merriam Webster's Concise Dictionary
Meta-Arquivo: 1964-1985
Minha Carne: Diário De Uma Prisão
Mirror, Mirror: The Prints of Alison Saar
Missing Daddy
Mitificacaion y desmitificacaion de La Amazonia
Mountain Sage
Mulheres Possíveis: corpo, gênero e encarceramento
Museum Administration 2.0
Museum of Capitalism
Museum of Capitalism
Museum of Capitalism
Mymothersside
Necessary Trouble
Necessary Trouble: Growing up at Midcentury
Negro Sou
Next Flag
Nicolas De Lekuona
No More Heroes
Nossa Voz #1023 Céu da boca
Not All Travellers Walk Roads of Humanity as Practice
O Nascimento de Joicy
O PACTO DE BOCAPIU
O Pacto Da Branquitude
O Tratamento Jurídico-penal Dispensado Aos Indígenas
O caráter educativo do movimento indigena brasileiro (1970-1990)
O escravo: Romance
Occupying Massachusetts
Olio
On Black Men
On the Political Imaginary
One Woman's Army
Ordinary Notes
Otobong Nkanga: To Dig a Hole that Collapses Again
Our Class
Our History is the Future
Over the Water: Fujiko Nakaya
Overthrowing Capitalism
POESIA 1949-1979
Parable of the Sower
Paradoxes of Hawaiian Sovereignty
Perfidia
Permeations
Picasso and the Allure of Language
Pixels of Ubuntu/Unhu
Pleasure Activism
Policing the Planet
Portraiture & Photography in Africa
Posthuman Blackness and the Black Female Imagination
Practicing New Worlds
Pretty in Ink: North American Women Cartoonists 1896–2010: North American Women Cartoonists 1896-2013
Prison Land
Prison Movies Cinema Behind Bars
Prisoners' Inventions
Prisons Must Fall
Projekfeld Ausstellung Project Scope: Exhibition Design
Prospect.3 Notes for Now
Protest Politics in the Marketplace
Punishment and Social Structure
Punk Revolution! An Oral History of Punk Rock Politics and Activism
Purchase Not By Moonlight
Purchase Not by Moonlight
REDUCHAMP
RIFQA
Race After Technology
Racionais Mc’s Sobrevivendo no Inferno
Racism Postrace
Racism Postrace
Racismo Estrutural
Reading American Art
Red Scare
Red, White and Black
Rehearsing Justices Abolitionist Perspectives Emerged from Communities
Remaking the Exceptional Tea, Torture, and Reparations | Chicago to Guantánamo
Remembering The Present
Report on a three year Experiment in the Teaching of Humanities at the College of the San Francisco Art Institute
Rexistência team voz de Mulher
Right Now!
Rise and Fall of Apartheid
Robert Indiana: Hartley Elegies
Robert Smithson 1938-1973
Robert Smithson: Sculpture
Sam Cooke recording studio, NYC
Sarah Vaughn and Bob James, recording studio, NY 1957
Sarah Vaughn, Pearl Bailey, and Ella Fitzgerald, television rehearsal, Pasadena, CA
Scenes of Subjection
Scoville Browne, Jimmy Blanton, and Al Lucas, Braddock Hotel, NYC
Se Anastácia Falasse
See You Soon
Seeds of Something Different
Seeing Justice
Seeing Ourselves
Seize the Time
Shifting Grounds
Shifting Grounds: Landscapes in Contemporary Native American Art
Silk Poems
Sister Outsider
Slow Violence and the Environmentalism of the Poor
So You Want to Talk About Race
Social Fabric Art and Activism in Contemporary Brazil
Society Must Be Defended
Sol Lewitt 100 Views
Solar Adobe
Solitary
Something's Missing In This Museum
Sonny Greer, Metropole Café, NYC
Spaces of Conflict, Sounds of Solidarity
Standing With Standing Rock
Stanley Dance, Jimmy Mundy, Scoville Browne, Hilton Jefferson and Oliver Keller (jazz fan) at Beefsteak Charlies bar, NYC
Staying with the Trouble
Stolen Life
Storywork: The Prints of Marie Watt
Subject to Display
Subject to Display: Reframing Race in Contemporary Installation Art
Superman
Suturing the City
Suturing the City
Symbionts
T.J. Demos
TAIB: uma história do teatro
Take Back the Fight
Terra: Antologia Afro-Indígena
The Afterlife of Reproductive Slavery
The American War
The Americans
The Art of Food
The Art of Food
The Attics of Our Lives
The Ballad of Sexual Dependency
The Best Things in Museums are the Windows
The City We Became
The Color Explosion: Nineteenth Century American Lithography
The Comet and the Glacier
The Culture of Punishment
The Culture of Punishment: Prison, Society, and Spectacle
The Dialectic is in the Sea
The Documentary Audit
The Documentary Audit
The Drought-Defying California Garden
The Drummers (First row) George Wettling and Bud Freeman; (Second row) Jo Jones, Gene Krupa, and Sonny Greer; (Third row) Miff Mole, Zutty Singleton, Red Allen, and Taft Jordan; (Top row) Dickie Wells, Buck Clayton, Benny Golson, Art Farmer, Hilton Jefferson, and Art Blakey, Esquire magazine shoot, Harlem, N.Y.C., c. 1959
The Essential June Jordan
The Extractive Zone
The FBI War on Tupac Shakur and Other Black Leaders
The Fire and The World
The Great American Stickup
The Great Central Valley: California's Heartland
The High Desert
The History of Barrios Unidos-Healing Community Violence
The History of Oakes: A Quest For Equality
The Horror of Police
The Horror of Police
The House That Herman Built
The Intersectional Environmentalist
The Last Hustle
The Law Is a White Dog
The Lichen Museum
The Long Covid Reader
The Long Emancipation
The Man They Wanted Me to Be
The Meaning of Freedom
The Medieval Prison
The Mountians of California
The Night Dad Went to Jail
The Portfolios of Ansel Adams
The Power of the Object
The Practice of Freedom
The Predicament of Culture
The Prison and The Factory
The Prison of Democracy
The Prisoner’s Herbal
The Punitive Society
The Question of Palestine
The Red Deal
The Rediscovery of America
The Repair
The Right to Look
The Rise and Fall of California's Radical Prison Movement
The San Quentin Project
The School-Prison Trust
The Science of Things Familiar
The Short Century
The Snail and the Whale
The Société Anonyme: Modernism for America
The Soul of a Nation Reader
The Souls of Black Folk
The Time of the Force Majeure
The Trauma of Caste
The Underground Railroad
The War Before
The While Father was Away Compendium
The Whole Picture : The colonial story of the art & why we need to talk about it
The warmth of Other Suns
There is a Garden in the Mind
Things You May Find Hidden in My Ear
This is Ear Hustle
To Be a Water Protector: The Rise of the Wiindigoo Slayers
Tolerance is a Wasteland: Palestine and the Culture of Denial
Tornar-se Negro
Tracing the Figure
Traditional Palestinian Costume: Origins and Evolutions
Trans-Communality
Tyree Glenn and Chu Berry, Fort Bragg, NC
Um Defeito de Cor
Unbuild Walls
Under Representation: The Racial Regime of Aesthetics
Under the Skin; Feminist Art and Art Histories from the Middle East and North Africa Today
Undersoul
Understanding E-Carceration
Until We Reckon
Valie Export
Visiting Day
Visual Criminology
Visual Culture: The Study of the Visual after the Cultural Turn
Visual Occupations: Violence and Visibility in a Conflict Zone
Visualizing Equality
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
W.E.B. Du Bois's Data Portraits Visualizing Black America
WAAVe Global Gallery - Women Asemic Artists and Visual Poets 2021
Walking and Mapping
Walls Turned Sideways
We Are Not Animals
We Do This 'Til We Free Us
We Do This 'Til We Free Us
Weaving Abstraction
Weird War Tales
Welcome to the Jungle
Western Horror Romance Painting
What Is Critical Environmental Justice?
When They Call You a Terrorist
When the Truth is All You Have
White Reconstruction
Whitney; Handbook of the Collection
Who Would Believe a Prisoner? Indiana Women’s Carceral Institutions, 1848-1920
Who's Afraid of Contemporary Art?
With Respect To Sex
Witness:Themes of Social Justice in Contemporary Printmaking and Photography
Woman and Monster
Words and Images from the American Media
Woven Being
Writing In Space
Wynton Marsalis, Frank Wess and Todd Williams, recording studio, N.Y.C.
Xu Bing: Phoenix
Xu Bing:Phoenix
YUA Spirit of the Arctic
Yosemite and the Range of Light
Yosemite's Yesterdays
ZONG!
c/o Jolyon