UCSC Institute of the Arts and Sciences - All Entries

10th Berlin Biennale for Contemporary ArtA Billion Black Anthropocenes or NoneA Billion Black Anthropocenes or NoneA Black GazeA Bound Woman is a Dangerous ThingA Fiction of AuthenticityA History of Art in AfricaA Land With A People: Palestinians and Jews Confront ZionismA Matter of Conscience: GI Resistance During the Vietnam WarA People's Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice MovementsA Periferia GritaA Variation of Powers of TenA Very Liquid HeavenA World Without WarsAMULETSAbolishing Carceral SocietyAbolition DemocracyAbolition GeographyAbolition. Feminism. Now.Abundance: Sexuality's HistoryAdult Development and AgingAfrican ArtsAfrofuturism: The World of Black Sci-Fi and Fantasy CultureAgainst the AnthropoceneAgainst, Again: Art Under Attack in BrazilAmericanahAn Indigenous Peoples' History Of The United StatesAn Introduction to Visual Culture | Third EditionAnjou De Cara SujaAnother Promised Land | Otra Tierra PrometidaAperture Issue no. 182Apocalypse: Then and NowAretha Franklin, recording studio, NYCArmando ReveronAround the Edge of Encircling LakeArt Is Not What You Think It IsArt in Latin AmericaArt, Technology, and CultureArtist-Run Democracy: Sustaining a ModelArts of Living on a Damaged PlanetArts of Living on a Damaged PlanetAssuming The Ecosexual PositionAtmosphere of ViolenceAtmospheres of Violence: Structuring Antagonism and the Trans/Queer UngovernableAtmospheric NoiseAurasBeautiful UglyBen Webster, Count Basie, Roy Eldredge, Dickie Wells, Doc Cheatham, Gerry Mulligan, Lawrence Brown. Television Studio – ‘Sound of Jazz’ rehearsal, 1957Beyond A BoundaryBeyond SurvivalBeyond the Pink TideBig Boss and the Ecstasy of PressuresBill Evans, Art Farmer and Paul Motian, recording studio, N.Y.C.Billie Holiday and Count Basie, “Sound of Jazz” rehearsal, NYC c. 1957 Negative Date: circa 1957Billie Holiday, recording studio, NYCBlack Against EmpireBlack FuturesBlack Modernisms in the Transatlantic WorldBlack Popular CultureBlack Punk NowBlack Quantum FuturismBlack Quantum Futurism Theory & Practice, Volume IBlack UtopiasBlack Womanhood: Images, Icons, and Ideologies of the African BodyBlack and BlurBlack is a ColorBlack on Both Sides: A Racial History of Trans IdentityBlack, White and in Color: Essays on American Literature and CultureBlackboardBlackness and ValueBlackspaceBlackspaceBlues Legacies and Black FeminismBocapiu The Hush Project: The Silent Complicity of the States Black Feminicide in PrisonsBuilding SocialismCab Calloway with kids and winner of Calloway Quizzicale, Providence, RI, c. 1938California Exposures: Envisioning Myth and HistoryCaplitalism in the Web of LifeCaptivating TechnologyCarlos Motta: History's BackroomsCarving out RightsCasa Rosa SalvadorCasteCedric J. Robinson: On Racial Capitalism, Black Internationalism, and Cultures of ResistanceCharlie Persip, Milt Jackson, Horace Silver and Percy Heath, Newport Jazz Festival, Newport RI.Chasing Me to My GraveChu Berry, Danny Barker, Rudolf Rivers, unidentified, Quentin Jackson, Cozy Cole, Tyree Glenn, and Cliff (Cab Calloway’s valet), railroad station, Atlanta GACitizenCity of InmatesCollective Museum CollectionCollective SituationsColors of the CageConversas Possíveis: Palavras para atravessar murosCorpo de Vento: Exu da Teoria: Travessias Crítico-Performativas Pelas Artes NegrasCould This Be Magic? Tattooing As Liberation WorkCould this be magic? Tattooing as Liberation WorkCount Basie, television studio, NYCCozy Cole, Danny Barker and Shad Collins, New OrleansCrack Up Crack DownCria Do GovernoCritically SovereignCrossing Bar LinesCultural MovesCurating The Moving ImageCurator The Museum JournalDONA FULÔ E OUTRAS JOIAS NEGRASDanny Barker and Dizzie Gillespie, on the road with Cab, train c. 1940Dark Designs and Visual CultureDark MattersDave Rivera, Jonah Jones, Keg Johnson, Panama Francis, unknown, and Sam ‘The Man’ Taylor, Providence, RI c. 1938Deana LawsonDear 1968,...Death and Other PenaltiesDecolonizing CultureDecolonizing NatureDer Kalteste Sommer, ComicsDiario del Hospicio y otros relatosDireitos dos Povos Indígenas em DisputaDizzy Gillespie, Grande Parade du, Jazz Festival, Nice FranceDocumenta FifteenDouble GameDress CodesDuressEarth Beings: Ecologies of Practice Across Andean WorldsEco-Visionaries: Art, Architecture, and New Media after the AnthropoceneElite Capture: How the Powerful Took Over Identity Politics (And Everything Else)Emergent StrategyEmily Jacir- belongingsEmily Jacir: Belongings: Works: 1998-2003Encyclopedia of Dog BreedsEnvironment and Object: Recent African ArtEnvironmental Warfare in GazaEsther Mahlangu ReacquiringEva Hesse and Sol LeWittEx LibrisExhibiting Cultures: The Poetics and Politics of Museum DisplayFabrique A ParisFailure BiographiesFarther TravelerFelonFelon: PoemsFirminas em FugaFor, In Your Tongue, I Cannot FitForest Law - Selva JurídicaForging FreedomFreddie Green, Count Basie, Billie Holiday, Jo Jones, television studio, “Sound of Jazz” rehearsal, NYC c. 1957Frida KahloFrom #BLACKLIVESMATTER to Black LiberationFrom #BlackLivesMatter to Black LiberationFutures of Black RadicalismGames Are Forbidden in the LabyrinthGay Outlaw Mutable ObjectGet There First, Decide Promptly: The Richard Brown Baker Collection of Postwar ArtGhana FreedomGhostly MattersGloria Lynne, recording studio, NYCGolden GulagGolden GulagGrief and GrievanceHOMELAND, WhitneyHague Yang: ETA. 1994–2018. 2018 Wolf­gang Hahn Prize catalogueHeavenly BodiesHigher Education and the Carceral StateHome Land SecurityHuman InstamaticI Saw RamallahI Too Sing AmericaIdeas to Postpone the End of the WorldIn Catastrophic TimesIn Front of Saint Patrick's CathedralIn the Place of JusticeIn the Wake: On Blackness and BeingIncarceration NationsIntolerableInvisible ManIt Happened at Pomona: Art at the Edge of Los Angeles 1969-1973J.C. Heard Concert, NYCJ.J. Johnson, Osie Johnson, and Miles Davis, recording studio, N.Y.C.James Prosek: Art, Artifact, ArtifaceJonah Jones and Holmes (Cab’s chauffeur,) Little Rock AK. C. 1941Justice for Some: Law and the Question of PalestineJuvenile In JusticeK5Kader AttiaKai Winding and Tony Scott, recording Studio, NYC c. 1955Lady Sings the BluesLeonard Feather, Willie “The Lion” Smith, Duke Ellington and Henry Kissinger (Duke’s 70th Birthday Party) at the White House, Washington, DC.Let The River Flow: An Eco-Indigenous Uprising and Its Legacy in Art, Ecology and PoliticsLetters of the LawLiberated VoicesLife is Not UsefulListening to ImagesLocked in the ClosetLouis Armstrong, hotel room, Seattle, WAMAN & YOSEMITEMade in PalestineMakunaimāMarielle FrancoMarking TimeMeasureMemórias Do FuturoMen We ReapedMinha Carne: Diário De Uma PrisãoMitificacaion y desmitificacaion de La AmazoniaMountain SageMulheres Possíveis: corpo, gênero e encarceramentoMuseum Administration 2.0Museum of CapitalismMuseum of CapitalismMuseum of CapitalismMymotherssideNecessary TroubleNecessary Trouble: Growing up at MidcenturyNegro SouNext FlagNicolas De LekuonaNo More HeroesNossa Voz #1023 Céu da bocaNot All Travellers Walk Roads of Humanity as PracticeO Nascimento de JoicyO PACTO DE BOCAPIUO Pacto Da BranquitudeO Tratamento Jurídico-penal Dispensado Aos IndígenasO caráter educativo do movimento indigena brasileiro (1970-1990)O escravo: RomanceOccupying MassachusettsOn Black MenOn the Political ImaginaryOne Woman's ArmyOrdinary NotesOur ClassOur History is the FutureOverthrowing CapitalismPOESIA 1949-1979Parable of the SowerParadoxes of Hawaiian SovereigntyPerfidiaPermeationsPicasso and the Allure of LanguagePixels of Ubuntu/UnhuPleasure ActivismPolicing the PlanetPortraiture & Photography in AfricaPosthuman Blackness and the Black Female ImaginationPracticing New WorldsPretty in Ink: North American Women Cartoonists 1896–2010: North American Women Cartoonists 1896-2013Prison LandPrison Movies Cinema Behind BarsPrisoners' InventionsProjekfeld Ausstellung Project Scope: Exhibition DesignProspect.3 Notes for NowProtest Politics in the MarketplacePunk Revolution! An Oral History of Punk Rock Politics and ActivismPurchase Not by MoonlightREDUCHAMPRIFQARace After TechnologyRacionais Mc’s Sobrevivendo no InfernoRacism PostraceRacism PostraceRacismo EstruturalReading American ArtRed ScareRed, White and BlackRehearsing Justices Abolitionist Perspectives Emerged from CommunitiesRemaking the Exceptional Tea, Torture, and Reparations | Chicago to GuantánamoRemembering The PresentRexistência team voz de MulherRise and Fall of ApartheidRobert Indiana: Hartley ElegiesSam Cooke recording studio, NYCSarah Vaughn and Bob James, recording studio, NY 1957Sarah Vaughn, Pearl Bailey, and Ella Fitzgerald, television rehearsal, Pasadena, CAScenes of SubjectionScoville Browne, Jimmy Blanton, and Al Lucas, Braddock Hotel, NYCSe Anastácia FalasseSee You SoonSeeds of Something DifferentSeeing JusticeSeeing OurselvesSeize the TimeShifting GroundsSilk PoemsSister OutsiderSlow Violence and the Environmentalism of the PoorSo You Want to Talk About RaceSocial Fabric Art and Activism in Contemporary BrazilSociety Must Be DefendedSol Lewitt 100 ViewsSolar AdobeSolitarySomething's Missing In This MuseumSonny Greer, Metropole Café, NYCSpaces of Conflict, Sounds of SolidarityStanding With Standing RockStanley Dance, Jimmy Mundy, Scoville Browne, Hilton Jefferson and Oliver Keller (jazz fan) at Beefsteak Charlies bar, NYCStaying with the TroubleStolen LifeSubject to DisplaySuturing the CitySuturing the CitySymbiontsT.J. DemosTAIB: uma história do teatroTake Back the FightTerra: Antologia Afro-IndígenaThe Afterlife of Reproductive SlaveryThe American WarThe AmericansThe Art of FoodThe Attics of Our LivesThe Ballad of Sexual DependencyThe Best Things in Museums are the WindowsThe City We BecameThe Color Explosion: Nineteenth Century American LithographyThe Comet and the GlacierThe Culture of PunishmentThe Culture of Punishment: Prison, Society, and SpectacleThe Dialectic is in the SeaThe Drought-Defying California GardenThe Drummers (First row) George Wettling and Bud Freeman; (Second row) Jo Jones, Gene Krupa, and Sonny Greer; (Third row) Miff Mole, Zutty Singleton, Red Allen, and Taft Jordan; (Top row) Dickie Wells, Buck Clayton, Benny Golson, Art Farmer, Hilton Jefferson, and Art Blakey, Esquire magazine shoot, Harlem, N.Y.C., c. 1959The Essential June JordanThe Extractive ZoneThe FBI War on Tupac Shakur and Other Black LeadersThe Fire and The WorldThe Great American StickupThe Great Central Valley: California's HeartlandThe High DesertThe History of Barrios Unidos-Healing Community ViolenceThe History of Oakes: A Quest For EqualityThe Horror of PoliceThe Last HustleThe Law Is a White DogThe Lichen MuseumThe Long EmancipationThe Man They Wanted Me to BeThe Meaning of FreedomThe Medieval PrisonThe Mountians of CaliforniaThe Portfolios of Ansel AdamsThe Power of the ObjectThe Practice of FreedomThe Predicament of CultureThe Prison and The FactoryThe Prison of DemocracyThe Punitive SocietyThe Question of PalestineThe Red DealThe Rediscovery of AmericaThe RepairThe Right to LookThe Rise and Fall of California's Radical Prison MovementThe San Quentin ProjectThe School-Prison TrustThe Science of Things FamiliarThe Short CenturyThe Société Anonyme: Modernism for AmericaThe Soul of a Nation ReaderThe Time of the Force MajeureThe Trauma of CasteThe Underground RailroadThe War BeforeThe While Father was Away CompendiumThe Whole Picture : The colonial story of the art & why we need to talk about itThe warmth of Other SunsThere is a Garden in the MindThings You May Find Hidden in My EarThis is Ear HustleTo Be a Water Protector: The Rise of the Wiindigoo SlayersTolerance is a Wasteland: Palestine and the Culture of DenialTornar-se NegroTracing the FigureTraditional Palestinian Costume: Origins and EvolutionsTrans-CommunalityTyree Glenn and Chu Berry, Fort Bragg, NCUm Defeito de CorUnder Representation: The Racial Regime of AestheticsUnder the Skin; Feminist Art and Art Histories from the Middle East and North Africa TodayUndersoulUntil We ReckonValie ExportVisual CriminologyVisual Culture: The Study of the Visual after the Cultural TurnVisual Occupations: Violence and Visibility in a Conflict ZoneVisualizing EqualityVital Forms: American Art and Design in the Atomic Age, 1940-1960WAAVe Global Gallery - Women Asemic Artists and Visual Poets 2021Walking and MappingWalls Turned SidewaysWe Are Not AnimalsWe Do This 'Til We Free UsWeaving AbstractionWelcome to the JungleWhen They Call You a TerroristWhen the Truth is All You HaveWhite ReconstructionWho Would Believe a Prisoner? Indiana Women’s Carceral Institutions, 1848-1920Who's Afraid of Contemporary Art?With Respect To SexWitness:Themes of Social Justice in Contemporary Printmaking and PhotographyWords and Images from the American MediaWriting In SpaceWynton Marsalis, Frank Wess and Todd Williams, recording studio, N.Y.C.Xu Bing:PhoenixYUA Spirit of the ArcticYosemite and the Range of LightYosemite's YesterdaysZONG!