Ðông Hồ Portfolio Gà Trống Hoa Hồng (Rooster and Roses)

Dong Ho Portfolio (9): Traditional Vietnamese folk woodblock print on plant fibrous paper vertically depicts a centrally placed stylized rooster in profile standing on one leg and surrounded by floral forms.
Dong Ho Portfolio (9)

Traditional Vietnamese folk woodblock print on plant fibrous paper vertically depicts a centrally placed stylized rooster in profile standing on one leg and surrounded by floral forms.

Name/Title

Ðông Hồ Portfolio Gà Trống Hoa Hồng (Rooster and Roses)

Entry/Object ID

2019.P-G.078I

Description

Traditional Vietnamese folk woodblock print on plant fibrous paper vertically depicts a centrally placed stylized rooster in profile standing on one leg and surrounded by floral forms.

Context

The Vietnamese often consider the rooster as a symbol of the five virtues: văn (literature), võ (martial arts), dũng (courage), nhân (benevolence), and tín (integrity) – virtues that are essential for a warrior. The rooster even serves as a cultural symbol tied to the sun worship beliefs of rice farming communities. From insert in boxset about series, directly transcribed: A Brief Overview of "Ðông Hồ" Folk Paintings: The "Dong Ho" folk paintings have been around for nearly 500 years. The themes of these paintings were inspired by everyday life and created by artisans' observations and experiences. The main themes include: Congratulatory paintings, which reflect the common wishes of people: a happy family, longevity, wealth, and prosperity, as seen in paintings such as Phú Quý (Wealth and Nobility), Vinh Hoa (Glory), Gà Đàn (Hen and Chicks), Lợn Đàn (Pigs). Paintings depicting festivals and traditional activities, such as wrestling contests, drum carrying, buffalo fighting, as well as daily life scenes like đánh ghen (a fight between women over a man), hứng dừa (picking coconuts), thầy đồ cóc (the frog teacher), đám cưới chuột (a mouse wedding), and folklore stories such as Trê Cóc Kiện Nhau (Catfish and Frog Suing Each Other), Đinh Bộ Lĩnh (founding emperor of the short-lived Đinh dynasty), and Bà Triệu (legendary Vietnamese heroine). Over many generations, artisans creatively used available local materials to craft these artworks. Initially, the images were carved onto wood, usually wood from the thị tree, thừng mực wood, or vàng tâm wood. These carvings were then printed onto dó paper, which had been coated with a special resin. Dó paper is handmade from the bark of the dó tree, while the resin is made from the shells of dead mollusks, cleaned, crushed, and mixed with rice paste. The mixture was applied to the paper with a brush made from dry pine leaves, creating the texture that gives the painting life. The artisans used only a few natural materials to create the colors: red from clay, green from tràm leaves or copper rust, white from diệp powder, yellow from the hoè tree flowers, and black from ash made from bamboo leaves or rice straw. The patterns were carefully printed and harmoniously arranged, creating a unique identity. In the rich collection of Vietnamese folk art, the "Dong Ho" paintings stand out as a distinct form of expression, originating from the village of Song Ho in Thuận Thành district, Bắc Ninh province.

Collection

Palmeri-Goodstein Research Print Collection

Made/Created

Artist Information

Artist

Tranh Dan Gian

Role

Artist

Place

* Untyped Place

Vietnam

Ethnography

Cultural Region

* Untyped Cultural Region

Vietnam

Lexicon

Search Terms

Longevity, Life, Abundance, Wealth, Luck, Chicken, Texture, Feathers

Dimensions

Height

14-3/4 in

Width

10-1/4 in