Name/Title
Ðông Hồ Portfolio Cá Chép Trông Trăng (Carp Gazing at the Moon)Entry/Object ID
2019.P-G.078NDescription
Traditional Vietnamese folk woodblock print on plant fibrous paper vertically depicts a fish in motion surrounded by a lotus plant forms with Chinese characters on the top left corner.Context
The Vietnamese name for this painting is Cá chép trông trăng (Carp Gazing at the Moon) but the Chinese idiom written on the background is "Lý ngư vọng nguyệt" (理鱼望月) which translates to "The fish looks at the moon." This expression is often used to symbolize unattainable desires or dreams as the reflection of the moon is only an illusion. This painting likely carries a reminder for people to not be deceived by illusions before their eyes and forgetting the true and long-lasting values.
*Other versions of the same painting reveal more of the moon reflected at the bottom corner and in the sky
In Vietnamese culture the carp is a symbol of determination and overcoming challenges, often used to wish a student success taking on difficult exams to achieve success. It is based on a folk tale about a carp trying to jump over the Dragon Gate to become a majestic dragon. It is borrowed from the Chinese myth "Longmen".
From insert in boxset about series, directly transcribed:
A Brief Overview of "Ðông Hồ" Folk Paintings:
The "Dong Ho" folk paintings have been around for nearly 500 years. The themes of these paintings were inspired by everyday life and created by artisans' observations and experiences.
The main themes include:
Congratulatory paintings, which reflect the common wishes of people: a happy family, longevity, wealth, and prosperity, as seen in paintings such as Phú Quý (Wealth and Nobility), Vinh Hoa (Glory), Gà Đàn (Hen and Chicks), Lợn Đàn (Pigs).
Paintings depicting festivals and traditional activities, such as wrestling contests, drum carrying, buffalo fighting, as well as daily life scenes like đánh ghen (a fight between women over a man), hứng dừa (picking coconuts), thầy đồ cóc (the frog teacher), đám cưới chuột (a mouse wedding), and folklore stories such as Trê Cóc Kiện Nhau (Catfish and Frog Suing Each Other), Đinh Bộ Lĩnh (founding emperor of the short-lived Đinh dynasty), and Bà Triệu (legendary Vietnamese heroine).
Over many generations, artisans creatively used available local materials to craft these artworks.
Initially, the images were carved onto wood, usually wood from the thị tree, thừng mực wood, or vàng tâm wood. These carvings were then printed onto dó paper, which had been coated with a special resin. Dó paper is handmade from the bark of the dó tree, while the resin is made from the shells of dead mollusks, cleaned, crushed, and mixed with rice paste. The mixture was applied to the paper with a brush made from dry pine leaves, creating the texture that gives the painting life.
The artisans used only a few natural materials to create the colors: red from clay, green from tràm leaves or copper rust, white from diệp powder, yellow from the hoè tree flowers, and black from ash made from bamboo leaves or rice straw.
The patterns were carefully printed and harmoniously arranged, creating a unique identity. In the rich collection of Vietnamese folk art, the "Dong Ho" paintings stand out as a distinct form of expression, originating from the village of Song Ho in Thuận Thành district, Bắc Ninh province.Collection
Palmeri-Goodstein Research Print CollectionLexicon
Search Terms
Longevity, Life, Abundance, Wealth, Luck, Plants, Lotus, Water, AquaticDimensions
Height
14-3/4 inHeight
10-5/8 inWidth
7-5/8 in