Name/Title
Ðông Hồ Portfolio Em Bé Ôm Cá Chép (The Baby Holding the Carp)Entry/Object ID
2019.P-G.078BDescription
Traditional Vietnamese folk woodblock print on plant fibrous paper vertically depicting a centralized baby-like human figure hugging a giant fish.Context
Also titled Thịnh Vượng (Prosperity). The carp in Vietnamese folklore is a symbol of courage and resilience. It is based off of a famous legend "Carp jumps over the Dragon Gate" which is borrowed from the Chinese myth "Longmen". The carp tirelessly swims upstream against the currents and leaps over a waterfall to become a majestic dragon.
This painting would be displayed during Tết (Lunar New Year) as a wish for the child of the family to have the perseverance to overcome the difficulties in life. In Asian culture this would likely be referring to studying and passing a difficult exam or any academic achievement.
A Brief Overview of "Ðông Hồ" Folk Paintings:
The "Dong Ho" folk paintings have been around for nearly 500 years. The themes of these paintings were inspired by everyday life and created by artisans' observations and experiences.
The main themes include:
Congratulatory paintings, which reflect the common wishes of people: a happy family, longevity, wealth, and prosperity, as seen in paintings such as Phú Quý (Wealth and Nobility), Vinh Hoa (Glory), Gà Đàn (Hen and Chicks), Lợn Đàn (Pigs).
Paintings depicting festivals and traditional activities, such as wrestling contests, drum carrying, buffalo fighting, as well as daily life scenes like đánh ghen (a fight between women over a man), hứng dừa (picking coconuts), thầy đồ cóc (the frog teacher), đám cưới chuột (a mouse wedding), and folklore stories such as Trê Cóc Kiện Nhau (Catfish and Frog Suing Each Other), Đinh Bộ Lĩnh (founding emperor of the short-lived Đinh dynasty), and Bà Triệu (legendary Vietnamese heroine).
Over many generations, artisans creatively used available local materials to craft these artworks.
Initially, the images were carved onto wood, usually wood from the thị tree, thừng mực wood, or vàng tâm wood. These carvings were then printed onto dó paper, which had been coated with a special resin. Dó paper is handmade from the bark of the dó tree, while the resin is made from the shells of dead mollusks, cleaned, crushed, and mixed with rice paste. The mixture was applied to the paper with a brush made from dry pine leaves, creating the texture that gives the painting life.
The artisans used only a few natural materials to create the colors: red from clay, green from tràm leaves or copper rust, white from diệp powder, yellow from the hoè tree flowers, and black from ash made from bamboo leaves or rice straw.
The patterns were carefully printed and harmoniously arranged, creating a unique identity. In the rich collection of Vietnamese folk art, the "Dong Ho" paintings stand out as a distinct form of expression, originating from the village of Dong Ho in Thuận Thành district, Bắc Ninh province.Collection
Palmeri-Goodstein Research Print CollectionMade/Created
Artist Information
Artist
Tranh Dan GianRole
ArtistLexicon
Search Terms
Longevity, Life, Abundance, Wealth, LuckDimensions
Height
14-3/8 inWidth
10 in