Doll

Manufactured Doll

-

Vermont Historical Society

Name/Title

Doll

Entry/Object ID

1954.15.18

Description

Large doll made from black knitted silk stockings. The doll has short, curly hair made from wool decorated with a yellow silk ribbon at the center top of the head. The face consists of two mother-of-pearl buttons for eyes, a stitched and shaped nose, and an embroidered mouth (pink lips and white teeth). There is a yellow medallion embroidered at the center of the doll's chest. The wrists are shaped through yellow stem stitch embroidery, and the lower legs are decorated with horizontal couched yellow lines. The feet are made from leather with blanket stitched seams, decorated with orange silk ribbons. The doll is wearing an apron-style dress made from brown, yellow, and white striped cotton.

Context

Made by Kate Dewey Squires of Montpelier, Vermont

Acquisition

Accession

1954.15

Source or Donor

Dewey, Breta Brigham (1887-1968)

Acquisition Method

Gift

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Doll

Nomenclature Class

Toys

Nomenclature Category

Category 09: Recreational Objects

Material

Silk, Cotton

Relationships

Related Person or Organization

Person or Organization

Squires, Kate Dewey (1864-1930)

Related Places

Place

Town

East Montpelier

County

Washington County

State/Province

Vermont

Country

United States of America

Continent

North America

Interpretative Labels

Label

"Mammy" imagery, such as that seen in this doll, was a racial caricature of African American women. It depicts a smiling, desexualized black woman whose role is caring for the white children of her enslaver. The image was created as propaganda, to put forward the claim that African Americans were happy in slavery. Though the imagery began before the Civil War as a backlash to abolitionism, it endured long afterward as a justification for the economic oppression of black women, depicting them as only fit for domestic labor. While this doll does not carry many of the more recognizable pieces of typical Mammy imagery, we know it was meant to represent that by her name: Dinah. During the nineteenth century, the name Dinah became a generic name used to indicate enslaved black women.