Dress

Clothing/Dress/Costume

-

Vermont Historical Society

Name/Title

Dress

Entry/Object ID

2020.5.2

Description

Dark blue dress consisting of a nylon velvet bodice and blue-black shot polyester taffeta skirt. The bodice is decorated with a large bow at the center front in the same taffeta. The long sleeves sit slightly off the shoulder, and the fullness of the upper arm is gathered around elastic to create a "puffed" effect. The narrow cuffs are held with a single blue button each.

Context

Worn by Governor Madeleine Kunin, the first female governor of Vermont, to her second Inaugural Ball on January 9, 1987 at Plumley Auditorium, Norwich University.

Acquisition

Accession

2020.5

Source or Donor

Kunin, Madeleine May (b. 1933)

Acquisition Method

Gift

Clothing/Dress/Costume Details

Article of Clothing/Dress/Costume

Dress

Clothing Sex

Female

Size

2

Textile Details

Fabric

Velvet

Material

Nylon

Fabric

Taffeta

Material

Polyester

Made/Created

Artist

Elaine Horseman

Date made

1987

Place

City

South Burlington

County

Chittenden County

State/Province

Vermont

Country

United States of America

Continent

North America

Relationships

Related Person or Organization

Person or Organization

Kunin, Madeleine May (b. 1933)

Related Places

Place

City

Montpelier

County

Washington County

State/Province

Vermont

Country

United States of America

Continent

North America

Place

Building

Vermont State House

City

Montpelier

County

Washington County

State/Province

Vermont

Country

United States of America

Continent

North America

Interpretative Labels

Label

Inaugural Gown, 1987 Worn by Governor Madeleine M. Kunin (1933 - ) Burlington, VT Velvet and taffeta fabric with plastic buttons Gift of Governor Madeleine M. Kunin, 2020.5.2 For her second and third term inaugural balls, Kunin turned to Elaine Horseman of South Burlington. As with the first gown, Kunin worked together with the designer to design each dress. In both cases, her commitment to finding and working with a local designer was reflective of her focus on Vermont. Horseman later recalled that Kunin could have purchased a gown from anywhere in the world, but wanted to stay within Vermont. Both gowns feature design elements that Kunin and Horseman worked on together. The second gown features a taffeta skirt in a shade of turquoise that Kunin had requested but that was particularly difficult to find. Horseman worked with a series of fabric samples before finding the right one on a trip to Montreal. The bow on the front of the dress was also a design collaboration that required several versions.