The Warren Family

Name/Title

The Warren Family

Entry/Object ID

1952.41.1

Description

Portrait showing three figures: a man, a woman, and a child (left to right). The man is shown wearing a black suit coat with a white, high-collared shirt and white cravat. He is holding a green book in his right hand. The child is shown with light-colored hair, parted in the center and and falling in curls behind the head. The child is wearing a white, short-sleeved dress and holding a small sprig of greenery. The woman is shown with brown hair, parted in the center and looped around her ears. She is wearing a black dress with white lace at the neckline, and two gold chains around her neck. The group is placed in front of a bookcase, and red curtains frame the top corners. The whole is framed in a light-colored birds-eye frame.

Type of Painting

Easel

Artwork Details

Medium

Oil

Subject

The Warren Family, Lester, Elvira, and child.

Acquisition

Accession

1952.41

Source or Donor

Burnham, Mary Jennie Warren

Acquisition Method

Gift

Made/Created

Artist

Warren, Elise

Date made

circa 1843

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Painting

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

Unframed

Height

29 in

Width

36 in

Dimension Description

Framed

Height

37-3/16 in

Width

44-3/8 in

Relationships

Related Places

Place

Town

Calais

County

Washington County

State/Province

Vermont

Country

United States of America

Continent

North America

Place

Town

East Montpelier

County

Washington County

State/Province

Vermont

Country

United States of America

Continent

North America

Interpretative Labels

Label

Warren Family, circa 1843 Artist unknown Oil on canvas, circa 1843 Gift of Mary Jennie Warren Burnham, #1952.41.1 Alvina and Lester Warren, with their daughter Elsie, sat for their portrait in about 1843. In 1844 the family, including a new baby, moved to Calais, where Lester Warren became the Universalist minister for the next twenty-three years at the Old West Church. Luxuries like a painting were becoming affordable to an established middle class. The portrait was a symbol of the Warrens’ taste and refinement. An added detail that makes this painting stand out is the faux painted finish on the frame that simulates bird’s-eye maple. Faux (fake) painting was a popular technique during the mid-nineteenth century, used to mimic more expensive materials. As in many portraits from this era, the artist included details that would give the viewer information about the sitters, most likely at the Warrens’ request. Can you see the chain Mrs. Warren is wearing and what it is attached to in her pocket?