Maria do Carmo Mirandan da Cunha (Portrait of Carmen Miranda)

Name/Title

Maria do Carmo Mirandan da Cunha (Portrait of Carmen Miranda)

Entry/Object ID

2025.16.1.a-b

Description

A large, vibrant ceramic sculpture of Carmen Miranda, from the torso up. Carmen is wearing a yellow shirt with green, red, and blue small glass pieces in a striped pattern on the bust and sleeves. She is wearing silver bedazzled bangles on both arms. Her head is oversized, and she is wearing a purple head wrap with bananas, oranges, apples, leaves, and an entire bird coming out of the top of her wrap. She has an additional turquoise string of beads and a tassel around her waist, and orange floral earrings. She is sitting on a custom, half-circle orange stand.

Type of Sculpture

Free Standing

Artwork Details

Medium

Ceramic

Subject Person or Organization

Maria do Carmo Miranda da Cunha

Collection

Art Collection

Cataloged By

[email protected]

Acquisition

Accession

2025.16

Source or Donor

Paula Turk

Acquisition Method

Gift

Credit Line

Gift in Memory of Ross Turk

Made/Created

Artist Information

Artist

Tony Natsoulas

Role

Sculptor

Date made

2000

Time Period

21st Century

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Sculpture

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

Sculpture

Height

48 in

Width

28 in

Depth

41 in

Dimension Description

Base

Height

35 in

Width

19-3/4 in

Depth

13-1/2 in

Condition

Overall Condition

Very Good

Exhibition

New Additions

Interpretative Labels

Label

Tony Natsoulas is a ceramic sculptor whose work centers on large-scale figurative forms. Since completing his Master of Fine Arts degree in 1985, he has dedicated his career to exploring the expressive possibilities of clay and creating sculptures that invite connection through character, humor, and narrative. His interest in ceramics began during his undergraduate years at the University of California, Davis, where he studied with Robert Arneson. Arneson’s approach to clay—irreverent, inventive, and deeply rooted in the figure—left a lasting impact on Natsoulas and helped shape the direction of his own practice. Over the years, his sculptures have been exhibited widely and are included in museum and gallery collections across the United States and abroad. His work has also been recognized by institutions such as the San Francisco Museum of Modern Art, which recently added one of his large-scale pieces to its collection. In 2004, the Smithsonian included him in its list of 100 notable craft artists in the country.