Sankry Droog

Sankry Droog, 1804. From the Daniell's “Oriental Scenery and Antiquities” (1795-1808), William Daniell the Elder, RA (1769-1837) and Thomas Daniell, RA (1746-1840)

Sankry Droog, 1804. From the Daniell's “Oriental Scenery and Antiquities” (1795-1808), William Daniell the Elder, RA (1769-1837) and Thomas Daniell, RA (1746-1840)

Name/Title

Sankry Droog

Entry/Object ID

2001.01.49

Description

Print Hand-coloured aquatint engraving on paper landscape image depicting Sankry Droog from Thomas and William Daniell's great work on India “Oriental Scenery. One Hundred and Fifty Views of the Architecture, Antiquities and Landscape Scenery of Hindoostan” (also known as "Oriental Scenery and Antiquities"), published in six parts (or series) by the authors, London (1795-1808). Note: Other editions were also published. Accompanying text re Part IV (or Fourth Series), Plate VII, Sankry Droog from published work, page 21: "This view is taken from the north-west side of Sankry Droog, one of the largest of those fortified hills that occur so frequently in the Carnatic. It is situated near the eastern limits of the Coimbatoor district; was formerly in the possession of Tippoo Sultaun, but taken by the English under Lord Cornwallis. From this elevated point the eye commands an extensive view of the vale and distant mountains. The scene is grand; but of that dreary aspect, which, being neither softened by the beautiful, nor elevated by the magnificent, produces in the mind a mixture of horror and melancholy. If the surface of our terrestrial residence presented to us prospects only of this kind, our state here would appear to have few temptations. The fortress in which the spectator is placed seems elevated almost into the clouds; its sides are in many parts formed of perpendicular cliffs; it is moreover surrounded with every impediment, natural or artificial, that can render access either impossible or difficult; and all this is to enable one little tyrant to resist the hostility of another, or to favour his own projects of vengeance or plunder. The plain below, extending as far as the eye can reach, is one vast uninterrupted jungle; a rank, entangled, and impenetrable vegetation, swarming with its peculiar inhabitants, many of which are no less terrible to man than to themselves; and the whole expanse is one scene of inextinguishable warfare, where, urged by hunger, lust, or cruelty, mutual destruction rages without intermission. In fact, while we contemplate the nature and situation of the place, with the circumstances combined with it, we cannot but be strongly impressed with an idea of the ferocious and sanguinary propensities of all animated nature. In the distance may be seen the river Cavery, where, quitting the hilly country, it first makes it appearance in the plains of the Carnatic."

Artwork Details

Medium

Hand-coloured aquatint engraving on paper

Subject Place

Region

South Asia

Continent

Asia

Context

Sankry Droog (aka Sankari Drug, Sankri Droog) is an isolated hill fort standing above the plain of south-west Salem in Tamil Nadu, a state in South India. Droogs are steep rock outcroppings found in Mysore and Tamil Nadu, India. The rocks are prominent monoliths and some have water springs on the top providing formidable sites for fortification because most are scalable only by the steps cut in them. Of note, in the 19th century, droogs were used as high-points from which to survey, laying the foundation for the extensive Indian railway system. _______________________ The views in “Oriental Scenery and Antiquities” represented a peak of of artistic and technical achievement in aquatint, and also provided a new and unrivaled vision of the Indian subcontinent that was to influence both the decorative arts and architectural design. Above all, it defined a popular vision in Britain and perhaps beyond of a romantic and picturesque India that to some extent persists even today.

Made/Created

Artist Information

Artist

William Daniell the Elder, RA (1769-1837)

Role

Artist and Engraver

Artist

Thomas Daniell, RA (1746-1840)

Role

Artist and Engraver

Artist

Thomas Daniell, RA (1746-1840)

Role

Publisher

Date made

1804

Time Period

19th Century

Notes

ARTIST BIOGRAPHIES The Daniells, Thomas and his nephew William, were perhaps the most exceptional of the artists in the 18th and 19th centuries to travel to India and record Indian life, peoples, architecture and landscapes. Until then, people in England had never viewed scenes of India based on the first-hand observations of an artist. The Daniells' great work on India, “Oriental Scenery and Antiquities”, was published in six parts over the period 1795–1808 with a total of 144 coloured aquatints. The cost of a complete set was £210, or perhaps £175,000 today. The publication was considered a success, both artistically and financially. _________________________ Born in Kingston upon Thames, Surrey, Thomas Daniell was an English landscape painter and printmaker. He traveled extensively in India in the company of his nephew William, with whom he collaborated on one of the finest illustrated works of the period, “Oriental Scenery and Antiquities”. Thomas began his career apprenticed to a heraldic painter before attending the Royal Academy Schools. He exhibited 30 works, mainly landscapes and floral pieces, at the Academy between 1772 and 1784, and in 1784 he obtained permission from the East India Company to travel to Calcutta to work as an engraver, accompanied by his nephew. The Daniells arrived in Calcutta via China early in 1786, spending seven years sketching and drawing as they travelled, recording life across India from Calcutta to Srinagar, Madras, Bombay and more. In 1793 the Daniells left India and returned to England, reaching home in the fall of 1794. Arriving back in London, the Daniells turned the substantial number of on-site sketches into finished water colours and oil painting and then concentrated on producing aquatint prints for their illustrated work "Oriental Scenery and Antiquities". The Daniells also published "Views in Egypt" (1808–9) and "A Picturesque Voyage to India, by Way of China" (1810). They etched all the plates themselves, almost all in aquatint. Daniell also contributed to some landscaping projects and various garden buildings. He was elected a Royal Academician in 1790, and later a fellow of the Royal Society of Arts. He died at his home in Kensington, London, aged 91, having outlived both his nephews. ____________________________ William Daniell was an English landscape and marine painter, and printmaker, notable for his work in aquatint. He traveled extensively in India in the company of his Uncle Thomas, with whom he collaborated on one of the finest illustrated works of the period, “Oriental Scenery and Antiquities”. He later traveled around the coastline of Britain to paint watercolours for the equally ambitious “A Voyage Round Great Britain”. Born in Kingston upon Thames, Surrey, William’s future dramatically changed when he was sent to live with his uncle, the artist Thomas Daniell, after his father's early death. At sixteen, William accompanied his uncle to India, who worked there on a series of prints, acting as his assistant in preparing drawings and sketches. William's brother, Samuel, remained independent of his uncle and also became a topographical artist. In 1813 William started on what was to be his best-known work, “A Voyage Round Great Britain”. His plan was to journey around the whole coast and record views of places of interest with commentary. His journey was completed in six separate trips, and his 308 aquatints in eight volumes were published 1814-1825. William also produced a number of marine paintings from battles to shipping scenes. Daniell's last great artistic work was produced between 1827 and 1830. He exhibited a total of five oil paintings of Windsor Castle and surroundings and two oil paintings of Virginia Water, at the Royal Academy Exhibitions. His view of the “Long Walk at Windsor” was generally acknowledged to be his masterpiece in oils. He also produced a set of 12 aquatints of the Windsor and Virginia water views said by Thomas Sutton (author “The Daniells: Artists and Travellers”, 1954) to be the “the finest aquatints ever made”. He was elected Associate of the Royal Academy in 1807, and a Royal Academician in 1822. Of note, in the final ballot, the voting was between John Constable and Daniell, the result being 11 to 17. Daniell worked right up to his death, at age 68, in Camden Town, London.

Inscription/Signature/Marks

Type

Inscription, Signature

Location

Title bottom: Sankry Droog with British printers Publishing Act of 1735 inscription bottom: Published as the Act directs, by Thos. Daniell RA Howland Street Fitzroy Square, London, Jan. 1, 1804 Signed lower left: Drawn & Engraved by Thos. & Wm. Daniell, No. VII

Dimensions

Dimension Description

Support

Height

45.7 cm

Width

66 cm

Acquisition

Acquisition Method

Legacy collection - detail unknown

Relationships

Related Entries

Notes

By the Daniells, Thomas and William the Elder: 2001.01.49 Sankry Droog Plate VII, Pt IV. From Daniell’s "Oriental Scenery and Antiquities" 2001.01.50 View in the Fort of Trichinopoly, Plate XXI, Pt II. From Daniell’s "Oriental Scenery and Antiquities"