Figures in Landscape

Figures in Landscape, n.d. Watercolour on paper by Frederick Marlett Bell-Smith, RCA (1846-1923): Note: Image to be replaced
Figures in Landscape, n.d. Watercolour on paper by Frederick Marlett Bell-Smith, RCA (1846-1923)

Note: Image to be replaced

Name/Title

Figures in Landscape

Entry/Object ID

2014.08.02

Description

Painting This painting celebrates nature in late Victorian-era Picturesque style, depicting a rocky coastal shoreline being pummeled by lines of breaking ocean waves of grey, blue and teal. A lone seagull flies overhead. The location is unknown.

Type of Painting

Watercolour on paper

Artwork Details

Medium

Watercolour on paper

Made/Created

Artist Information

Artist

Frederick Marlett Bell-Smith, RCA (1846-1923)

Role

Painter

Date made

n.d.

Time Period

19th Century

Notes

ARTIST BIOGRAPHY Born in London, England, Frederick Marlett Bell-Smith was a major figure in Canadian art history. He was a well-known Canadian painter and educator, doing portrait, genre, and landscape subjects in both oil and watercolour in the impressionistic, picturesque, and sublime styles of the 19th century. His earliest training was under his artist father. He later attended the South Kensington School of Art until immigrating to Montréal with his family in 1867. Later, he studied in Paris at the Académie Colarossi. Bell-Smith was appointed Art Director of Alma College in St.Thomas, Ontario in 1881 and, the following year, Drawing Master at Central Public School. In 1888 he moved to Toronto where he was named principal of the western branch of the Toronto Art School. He continued to serve at Alma College until 1901. From 1887, Bell-Smith painted in the Canadian Rockies. He was enamoured of the natural splendours and would return to the west many times to paint. This was done as part of the Canadian Pacific Railroad program for well-established Canadian artists to record the completion of the transcontinental railway. These artists, known as the “Railway Painters”, included Lucius O'Brien RCA (1832-1899), Thomas Mower Martin RCA (1838-1934), Forshaw Day RCA (1831-1903), Marmaduke M. Matthews RCA (1837-1913) and Bell-Smith. This work led him to advocate for a school of art which drew its "uniqueness from the use of the Canadian landscape as its subject matter." Later artists, including Tom Thomson (1877-1917), Emily Carr (1871-1945), and the famed Canadian Group of Seven, contributed to this focus on Canada’s natural environment in art. He was equally interested in capturing cityscapes, as well as historically important personages, subjects and international events. Bell-Smith was very active in the arts community. He was a founding member of the Society of Canadian Artists, the Ontario Society of Artists, and the Western Art League. He was elected an Academician in the Royal Canadian Academy and played important roles in many local and national artistic associations. Bell-Smith also won many international honors.

Inscription/Signature/Marks

Type

Signature

Location

Signed lower right: F. M. Bell-Smith

Dimensions

Dimension Description

Visible image

Height

35.6 cm

Width

50.8 cm

Acquisition

Acquisition Method

Purchase

Date

Jul 28, 2015

Notes

Lunds Lot #5