Flowers in a Window

Flowers in a Window, 1968. Acrylic painting by Norman Antony (Toni) Onley, RCA, OC (1928-2004)

Flowers in a Window, 1968. Acrylic painting by Norman Antony (Toni) Onley, RCA, OC (1928-2004)

Name/Title

Flowers in a Window

Entry/Object ID

2017.03.02

Description

Painting This still-life is a non-objective Abstract depiction of a glass vase of flowers on a window ledge looking out to a seascape and beach with cliffs or mountains in the background whose shapes echo that of the flowers.

Type of Painting

Easel

Artwork Details

Medium

Oil on canvas

Context

With origins in Ancient Egyptian and Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 1500s, and has continued to evolve across the centuries attracting artists and patrons alike. Be it a painting or drawing or other form of visual art, a still-life focuses on still objects. The subject matter is inanimate, typically with a focus on commonplace household objects, flowers or fruits. Other types of objects from daily life may also be depicted such as books, medicines, tools, dead game and more. Still-lifes can be done in any art style, not just as realistic art. And still-lifes may be full of symbolic meanings or may simply represent the artist's experimentation with shape, texture, colour, lighting, and placement. Still-life art can also portray complex themes.

Made/Created

Artist Information

Artist

Norman Antony (Toni) Onley, RCA, OC (1928-2004)

Role

Painter

Date made

1991

Time Period

20th Century

Notes

ARTIST BIOGRAPHY Born on the Isle of Mann, England, Toni Onley was a celebrated Canadian painter noted for both his landscape and Abstract works. Onley’s works are part of major international collections. He studied under a Manx landscape water colourist and at the Douglas School of Fine Arts. He came to Canada in 1948 and settled in Brantford, Ontario studying at the Doon School of Fine Art under landscape artist Carl Schaefer (1903-1995). In his early work Onley was influenced by British painters and did traditional landscapes, exhibiting at the Royal Canadian Academy and the Canadian Society of Painters in Water Colours. Onley then moved to Penticton, B.C., where his parents had retired. There he conducted art classes, worked as a surveyor, draughtsman, commercial artist and continued with his own painting. In 1957 he won a scholarship offered by the Institute Allende, Mexico, where he studied and was much influenced by the abstract impressionistic paintings of his American teacher, James Pinto (1907-1987). He stayed in Mexico for three years but returned to Canada, living in Vancouver and later Victoria, holding a series of well-received exhibitions. In 1961 he was one of seven artists chosen to represent Canada at the Paris biennial exhibition. His collage paintings won critical recognition, and the Tate Gallery in London, England selected one of the works from his Polar series of large spare works in cool colours of blue, black, grey, etc., Polar No. 1, in 1963. On a Royal Canadian Academy award Onley later traveled to London, England where he studied etching and at that time re-established his landscape roots with the Norwich School of Watercolor Painting. Onley was killed piloting his own plane when it crashed into the Fraser River, B.C. He was a member of the B.C. Society of Artists, the Society of Canadian Painter-Etchers and Engravers and the Canadian Society of Painters in Water Colour.

Inscription/Signature/Marks

Type

Signature

Location

Signed lower right: ONLEY

Dimensions

Dimension Description

Visible image

Height

76.2 cm

Width

101.6 cm

Acquisition

Acquisition Method

Purchase

Date

2017

Notes

Acquired with the assistance of Winchester Galleries, Victoria, B.C.

Relationships

Related Entries

Notes

By Norman Antony (Toni) Onley: 2017.03.01 Fort Rodd Hill 2017.03.02 Flowers in a Window