Common Guillemot (Uria aalge)

Common Guillemot (Uria aalge), ca. 1855. Hand-coloured wood engraving on paper by Benjamin Fawcett (1808-1893). Illustration from Vol. 6 of Rev. Francis Orpen Morris' (1810-1893) "A History of British Birds: Below is another example of this illustration "Guillemot"
Common Guillemot (Uria aalge), ca. 1855. Hand-coloured wood engraving on paper by Benjamin Fawcett (1808-1893). Illustration from Vol. 6 of Rev. Francis Orpen Morris' (1810-1893) "A History of British Birds

Below is another example of this illustration "Guillemot"

Name/Title

Common Guillemot (Uria aalge)

Entry/Object ID

2017.03.05

Description

Print Hand-coloured wood engraving on paper ca. 1855 by Benjamin Fawcett (1808-1893) from Vol. 6 (plate 342?) of Rev. Francis Orpen Morris' (1810-1893) "A History of British Birds” first published in 1850 over seven years as a six-volume work. Various editions were later produced by different publishers. All parts and re-issues post-1853 displayed Queen Victoria's dedication with her permission. This image depicts a Guillemot, the common name for several species of seabird in the Alcidae or auk family. In British use, the term comprises two genera: Uria and Cepphus. In North America the Uria species are called "Murres" and only the Cepphus species are called "Guillemots". The Common Guillemot or Murre (Uria aalge) is a large auk, and can be found in the low-Arctic and boreal waters in the North Atlantic and North Pacific. It spends most of its time at sea, only coming to land to breed on rocky cliff shores or islands. They have fast direct flight but are not very agile. They are more maneuverable underwater, typically diving to depths of 30–60 meters.

Artwork Details

Medium

Wood engraving on paper

Context

Reportedly, the inspiration for "A History of British Birds" came from the renowned printer and engraver Benjamin Fawcett who was perhaps the most accomplished of English 19th c. woodblock colour printers. He approached Rev. Francis Orpen Morris, a popular writer on natural history, to write the text and he reportedly did the wood engraving with a team of women colourists doing the hand colouring of each plate. Of the team the only woman identified seems to be Fawcett's wife, Martha Porter (1827-1912), the scientific illustrator and artist. The details of her role in this project are not fully known, but Martha reportedly played a significant role in the business overall. Work began in 1848, and the publication took over seven years to complete, starting in June 1850. Monthly parts (costing one shilling) had 24 pages of text and four hand-coloured plates. The six-volume set had 358 plates in total, and was entirely produced in the village of Driffield, East Yorkshire, England. Unlike the earlier and much admired monochrome work of Thomas Bewick (1753-1828), printing was in colour, first by hand colouring wood-engraved illustrations, and later by printing in colours from multiple wood blocks. This was new and exciting, and together with Morris' simplified approach to the text, brought descriptions and coloured illustrations of birds in their environment to a wider audience. "A History of British Birds" is still considered one of the most accessible and comprehensive guides to British birds describing in detail the appearance, behavior, and habitat of every species of bird found in Britain at the time. The book is also notable for the detail, beauty and accuracy of its illustrations.

Made/Created

Artist Information

Artist

Benjamin Fawcett (1808-1893)

Role

Printer and Engraver

Artist

Rev. Francis Orpen Morris (1810-1893)

Role

Author

Artist

Groombridge and Sons, London

Role

Publisher

Date made

circa 1850 - circa 1857

Time Period

19th Century

Notes

BIOGRAPHIES ENGRAVER and PRINTER Benjamin Fawcett (1808-1893), born in Bridlington, East Yorkshire, England, was recognized as one of the finest of the English 19th C. woodblock colour printers. In 1831, after a seven-year apprenticeship to a local bookseller and printer, he established his own business as a bookseller, bookbinder, music seller, printer and stationer in nearby Driffield. He was also an accomplished artist/engraver in his own right, as well as an amateur ornithologist. His early works were mostly children's books, and then in about 1845 he formed a close working association with the Rev. Francis Orpen Morris resulting in his most well known work, the popular and successful "A History of British Birds” as well as many other collaborations. B. Fawcett and Co. closed in 1893. Fawcett worked extensively with Alexander Francis (AF) Lydon (1836-1917), an Irish-born British watercolour artist, illustrator and engraver of natural history and landscapes. While he worked solely for Benjamin Fawcett, his boss, mentor, and friend for many years and was later noted for his attention to detail, and the beauty and quality of his work, it is believed he would have been too young and inexperienced to have worked on the earlier editions of "A History of British Birds”. AUTHOR Rev. Francis Orpen Morris (1810-1893) was an Irish-born British natural history writer, ardent campaigner for animal rights and a clergyman. He graduated with a B.A., honours in classics from Oxford in 1833 and was ordained priest in 1835, becoming a vicar near Driffield, East Yorkshire (1844-1853) and staying in the same county for the rest of his life. He reportedly had ample leisure to pursue his passions for natural history. Morris was an early advocate of animal welfare and for conservation, campaigning extensively against animal cruelty and successfully for a nature conservation act, and was instrumental in founding the Royal Society for the Protection of Birds. Morris wrote much on religious subjects, but he is best known for his works on natural history, which, although "popular" rather than "scientific", had considerable literary value. His first book on birds was published in 1834, and about this time he formed a close working association with Benjamin Fawcett, a local printer, that would result in the popular and successful "A History of British Birds” for which he contributed the text. This relationship flourished for some 50 years and a prolific number of other publications on natural history and other subjects followed. PUBLISHER Groombridge was a publisher and bookseller founded by Richard Groombridge (1793-1855) before 1835 and continued with his sons Richard, Henry, William and Charles until 1891. The firm was best known as the publisher of books on religion, agriculture and natural history. The Groombridges worked closely with the printer and engraver Benjamin Fawcett and the artist and engraver AF Lydon, publishing many of their finely illustrated books (1844 -1890) including several books by Rev. Francis Orpen Morris on birds and butterflies which were generously illustrated in colour.

Inscription/Signature/Marks

Type

Inscription

Location

Not visible - Lower centre in original print: Guillemot

Dimensions

Dimension Description

Visible image

Height

7.3 cm

Width

13.3 cm

Acquisition

Notes

Detail unknown

Relationships

Related Entries

Notes

2017.03.04 Willow Wren. Wood engraving on paper by Thomas Bewick