Moose in a Snowy Forest

Moose in a Snowy Forest, n.d. Graphite on paper by Edward Goodall (1909-1982): Note: Image to be replaced
Moose in a Snowy Forest, n.d. Graphite on paper by Edward Goodall (1909-1982)

Note: Image to be replaced

Name/Title

Moose in a Snowy Forest

Entry/Object ID

2017.06.01

Description

Drawing This image depicts a snowy winter semi-forested landscape with a large bull moose in the foreground that dominates the scene, and a female moose in the background. Both moose are shown moving to the left. The forest is quiet and you can almost hear the muffled footsteps of the large moose through the snow. The drawing has a realistic illustration quality with a careful design and softly-created detail.

Artwork Details

Medium

Graphite on paper

Context

Often considered a symbol of Canada, the moose is featured on Ontario’s provincial coat of arms. The word "moose" is derived from the First Nations Algonquin word "mooswa," meaning "twig-eater." In Canada, moose are found in forests from the Alaska boundary to eastern Newfoundland and Labrador, except for Prince Edward Island, with a population of up to one million across the country. Called elk in Europe, they range from northern Asia to Scandinavia. The moose is the largest member of the deer family, and is well adapted to winter. Their massive size combined with their hollow-hair outercoat and dense undercoat, enable these mammals to endure temperatures lower than -30°C. Also, their long legs and large hooves allow moose to travel in up to almost a metre of snow. Moose do not hibernate in winter, and browse for food on what remains on trees and shrubs for food such as balsam fir, poplar, willow, birch and red maple.

Made/Created

Artist Information

Artist

Edward Goodall (1909-1982)

Role

Artist

Date made

n.d.

Time Period

20th Century

Notes

ARTIST BIOGRAPHY Born in Somerset, England, Edward Goodall was a Canadian artist known for his meticulous drawings, and later his paintings of Vancouver Island, B.C. and beyond. With a natural talent, he came from a family of successful artists (great grandfather, grandfather and more), and he studied art in Wales under the guidance of art master Marcus Holmes (1875-1951) of the Herkomer school. He then traveled, working on a tea plantation in India, later on to China and Japan, and then to Canada earning money for his trips by selling his drawings. He worked at many jobs, cutting ice blocks in Alberta, working on a cattle drive and in Victoria selling stocks and bonds. When World War II broke out, Goodall enlisted with the Royal Canadian Engineers. His art career really started after his discharge from the army, and his purchase of a house in Oak Bay, Victoria with a home studio. In 1942 he applied for the copyright to “Goodall’s Pencil Postcard Series” and began drawing scenes of Vancouver Island creating more than 500 scenes for postcards. Through the 1950s he drew a series of west coast scenes for a British Columbia calendar, turning to painting later that decade. Other commercial commissions followed, including the Powell River pulp mill, Canadian Pacific Railway ships, the Kitimat smelter, a series on education facilities in Canada, and scenes for British Columbia’s 1958 centennial celebrations. As a member of the Alpine Club of Canada he climbed many mountains and turned his watercolours and sketches into calendars. By the 1960s he started to paint large watercolours on commission, and by the 1970s he was well known. He painted people’s homes, did personal Christmas cards for the Premier, Lieutenant-Governor, and others and also selling his photographs. Goodall rarely exhibited in galleries due to the nature of his production work, but in the early 1980s he had a solo gallery show in Victoria, selling out in an hour. Goodall was a member of the Island Arts and Crafts Society and later the Victoria Sketch Club.

Inscription/Signature/Marks

Type

Signature

Location

Signed lower right: Edward Goodall

Dimensions

Dimension Description

Visible image

Height

16.5 cm

Width

21.6 cm

Acquisition

Acquisition Method

Purchase

Date

2017

Notes

Kilshaws Lot #227