Motherhood III

Motherhood III, 1994. Series of three. Screenprint on paper 17/155 by Arthur Freeman Vickers, OBC: Note: New image in frame to be added.
Motherhood III, 1994. Series of three. Screenprint on paper 17/155 by Arthur Freeman Vickers, OBC

Note: New image in frame to be added.

Name/Title

Motherhood III

Entry/Object ID

2018.08.20.c

Description

Print Motherhood III is a portrayal of a mother's dream of her children dancing happily and eager to learn. As Vickers himself says, "The legs of the children dancing fade into dust or mist as the children aren't real. They're the dream of the mother...The mother is pleased to pass on the customs and heritage of her culture." The image of the children in their traditional garments and regalia is presented in realistic detail, with great depth and texture. The colours reflect the earthy nature of woven materials, such as ochre, umber and sienna, along with touches of black and red that highlight the designs on their clothing, headwear and especially the dramatic head mask of the standing male figure, seemingly an older youth. It is a bold design with a strong diagonal provided by the paddle held aloft by this figure. The other figures are younger children and they are all looking to the right perhaps into the future.

Artwork Details

Medium

Screenprint on paper

Subject Place

Region

Pacific Northwest

Continent

North America

Context

First Nations artist Arthur Vickers was asked by Vancouver, B.C.'s Grace Hospital (now B.C. Women's Hospital and Health Centre) to create a work of art to embody his feelings about the hospital where he, and his wife were born. The art also serves as a remembrance to his mother, Grace, who passed away one year after the Motherhood series was completed. This is Vickers' only work of art where his family members were the models. You will note the eagle feather, often included in his art (visible in the small window mat opening below that of the main image) - Vickers' mother was adopted into the Eagle clan and he is a member of the same clan. Vickers drew his specific inspiration for this series from a meeting of First Nations from across the Northwest Coast at Bella Bella on Campbell Island in the Central Coast region of B.C. in 1993.

Made/Created

Artist Information

Artist

Arthur Freeman Vickers, OBC. Former UCBC Member Artist

Role

Artist

Date made

1994

Time Period

20th Century

Notes

ARTIST STATEMENT "The idea of coming up with an image that could help the Grace [Hospital] fundraise was an honour for me."...These works of art "are a tribute to all mothers. To my mom, to my aunt Jane, to every mother." ARTIST BIOGRAPHY Born in British Columbia, Arthur Freeman Vickers is a Canadian First Nations artist and storyteller of international renown. He spent his early childhood in the coastal Tsimshian village of Kitkatla where he spent time with his grandfather, a fisherman and canoe carver. His mother was of English and Canadian heritage and his father was of Heiltsuk, Tsimshian and Haida First Nations ancestry. This blend of cultural influences provides Vickers with a distinctive insight. Following earlier careers as a fisherman and carpenter, Vickers has devoted himself to art since 1989. He has worked in many media, from drawing and carving to painting and printmaking. His handcrafted, multi-layered, low-relief sculpting in 24k gold leaf is a unique method, which he developed. In recognition of his art, his many contributions to charities and his role in sustaining First Nations heritage, Vickers received an Honorary Doctorate of Fine Arts from the University of Victoria in 2006. In 2008 he received the Order of British Columbia followed by a Distinguished Alumni award from Camosun College in 2010. Today, Vickers lives in the seaside village of Cowichan Bay where he and his wife operate an art gallery devoted to his work.

Edition

Edition

Motherhood

Edition Size

155

Edition Number

17

Notes

Motherhood III is three in a series of three screenprints. See 2018.08.20a and 2018.08.20c. "MacDougall/Willis Limited Edition Screenprinting" provided certificates of authenticity for other Vickers' Motherhood series up for online auction.

Inscription/Signature/Marks

Type

Signature, Date, Edition

Location

Signed and dated lower right: A. Vickers '94 Titled lower centre: MOTHERHOOD Editioned lower left: 17/155

Dimensions

Dimension Description

Visible image

Height

34.9 cm

Width

27.3 cm

Acquisition

Notes

Detail unknown

Relationships

Related Entries

Notes

By Arthur Freeman Vickers: 2018.08.20a Motherhood I 2018.08.20 b Motherhood II 2018.08.20c Motherhood III