A Farmyard (unfinished)

A Farmyard (unfinished), ca. 1890. Oil painting with pencil undersketch by Sir William Quiller Orchardson HRSA, RA (1832-1910)

A Farmyard (unfinished), ca. 1890. Oil painting with pencil undersketch by Sir William Quiller Orchardson HRSA, RA (1832-1910)

Name/Title

A Farmyard (unfinished)

Entry/Object ID

2018.10.02

Description

Painting This unfinished work depicts a somewhat mysterious farmyard, location unknown, perhaps just unoccupied at the moment or maybe abandoned. There are several wooden farm buildings, some open-sided with fencing. There is some greenery and grass growing, with a large tree in the background.

Type of Painting

Easel

Artwork Details

Medium

Oil on canvas with pencil undersketch

Made/Created

Artist Information

Attribution

Sir William Quiller Orchardson, HRSA, RA (1832-1910)

Role

Painter

Date made

circa 1890

Time Period

19th Century

Notes

ARTIST BIOGRAPHY Born in Edinburgh, Scotland, Sir William Quiller Orchardson was a noted Scottish portraitist and painter of domestic and historical subjects. He studied at Edinburgh's renowned art school, the Trustees' Academy, after which he worked in the city and in 1862, at the age of thirty, Orchardson moved to London. For the next twenty or so years Orchardson continued painting, and in 1870 he spent the summer in Venice, traveling home through a France overrun by the German armies. In this year he finished building Ivyside, his house at Westgate-on-Sea with an open tennis-court and a studio in the garden. Orchardson's wider popularity reportedly dates from 1880. To that year's Royal Academy summer exhibition he sent the large “Napoleon on board the Bellerophon”, which was acquired for the national collection. He followed up with “Voltaire” at the Academy of 1883, viewed perhaps as his high-water mark. Of note, the scene is based on a real incident capturing a dramatic moment in the French satiricist Voltaire's quarrel with the chevalier de Rohan-Chabot. This was followed by a number of successful submissions, and he completed a number of distinguished portraits. The major commission received by Orchardson as a portrait-painter was that for the Royal group of Queen Victoria with her son (afterwards King Edward VII), grandson and great-grandson, to be painted on one canvas for the Royal Agricultural Society. Orchardson continued painting to the end of his life, and had three portraits ready for the Royal Academy in the final year of his life.

Inscription/Signature/Marks

Type

Inscription

Location

Verso canvas in pen and ink: "A FARMYARD' by SIR W.Q. ORCHARDSON R.A.

Dimensions

Dimension Description

Visible image

Height

60.8 cm

Width

98 cm

Acquisition

Acquisition Method

Gift

Date

2006

Notes

Donated by Dr. and Mrs. George H. Thompson. Former UCBC Members. Previously in possession of Mrs. Graeme St. Clair-Keith (Muriel Dunsmuir), the painting hung in the drawing room of "Journey's End" on Esquimalt Lagoon. This house is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values. It was built by Muriel Wingfield, the daughter of James Dunsmuir, B.C.'s premier (1900-1902), and Lieutenant Governor (1906 to 1909), and since 1988 it has served as the administration building for Fort Rodd Hill National Historic Park.