Portrait of Lawren Stewart Harris CC, LL.D (1885-1970), Group of Seven

Portrait of Lawren Stewart Harris CC, LLD (1885-1970), n.d. Photographic reproduction from the b/w photograph (n.d.) by Harold Mortimer-Lamb, RPS (1872-1970).: Royal B.C. Museum and Archives.    
Note: Image to be replaced
Portrait of Lawren Stewart Harris CC, LLD (1885-1970), n.d. Photographic reproduction from the b/w photograph (n.d.) by Harold Mortimer-Lamb, RPS (1872-1970).

Royal B.C. Museum and Archives. Note: Image to be replaced

Name/Title

Portrait of Lawren Stewart Harris CC, LL.D (1885-1970), Group of Seven

Entry/Object ID

2023.04.03

Description

Photograph Photographic reproduction (n.d.) from the undated b/w photograph by Harold Mortimer-Lamb. This black and white image is of Lawren Stewart Harris CC, LL.D (1885-1970), best known as a founding and leading member of the famed Canadian Group of Seven who was seen as a visionary for his landscape and Abstract art. Here, Harris is portrayed standing in front of a large Abstract painting on an easel perhaps in his own Vancouver studio.

Photograph Details

Type of Photograph

Reproduction, black and white photo on paper

Subject Place

Region

Cascades and Plateau

Continent

North America

Context

Born in Brantford, Ontario, Lawren Harris, CC LL.D was an heir to the Massey-Harris agricultural equipment fortune which ultimately enabled him to support himself as a full-time painter. He attended Central Technical School, St. Andrew’s College, and the University of Toronto and he later he studied in Berlin. After his return to Canada, he went on sketching trips including Halliburton, the Laurentians and more, as well as sketching in downtown Toronto where he had become friends with a number of fellow artists. While he worked as an illustrator and did Post-Impressionist work, he became deeply interested in Modern art. In 1920 the famed Canadian Group of Seven was formed with Harris being the catalyst and leader in the creation of the group. He co-financed the construction of a studio building in Toronto, providing cheap or free space where artists could live and work. By this time, Harris had already developed into a monumental landscape painter, transforming powerful forms of nature into works of elegance. He painted for five successive autumns in Algoma and Lake Superior North Shore (1917-22), in the Rockies from 1924 on, and in the Arctic in 1930. The resulting Arctic canvases marked the end of his pure landscape period, and from 1935 on, Harris found his full voice in Abstract art as a means to express his vision of nature’s spiritual power. Informed by theosophy and transcendentalism, his paintings became more austere and sparse with limited palettes - a new and distinctly Canadian art. In 1934 Harris moved to New Hampshire, then in 1938 to New Mexico, where he and other artists formed the Transcendental Painting Group. In 1940 he and his new wife moved to Vancouver, with Harris continuing to explore abstraction inspired by spiritualism and nature for over thirty more years. A number of his works are among the icons of Canadian art. The majority of his work is found in the National Gallery of Canada, the Art Gallery of Ontario, and the McMichael Canadian Art Collection in Kleinburg, Ontario. ____________________ The Group of Seven was a group of Canadian landscape painters from 1920 to 1933, originally consisting of: Franklin Carmichael (1890-1945), Lawren Harris (1885-1970), A. Y. Jackson (1882-1974), Frank Johnston (1888-1949), Arthur Lismer (1885-1969), J. E. H. MacDonald (1873-1932), and Frederick Varley (1881-1969). A. J. Casson (1898-1992) was invited to join in 1926, Edwin Holgate (1892-1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890-1956) in 1932. Two artists commonly associated with the group are Tom Thomson (1877-1917) and Emily Carr (1871-1945). In 1933, the Canadian Group of Painters, a collective of 28 painters from across the country succeeded the disbanded Group of Seven.

Made/Created

Artist Information

Artist

Harold Mortimer-Lamb, RPS (1872-1970). Former UCBC Member Artist.

Role

Photographer

Artist

Royal B.C. Museum and Archives

Role

Printmaker

Time Period

21st Century

Notes

PHOTOGRAPHER BIOGRAPHY Born in Surrey, England, Harold Mortimer-Lamb was, in the early 20th century, the leading artistic photographer in Canada, a proponent of Pictorial photography that focused on figure studies, portraits, genre and landscape views. He was also a successful mining engineer, journalist, art critic and artist perhaps best known for his early championing of the Canadian Modernist Group of Seven in the 1920s. In addition, he is more recently recognized for his influence on, and support of, the development of the arts in both Victoria and Vancouver, and beyond. Mortimer-Lamb came to Canada in 1889, settling in first in B.C., arriving in Victoria in 1895 to become secretary of the British Columbia Mining Institute. Most of Mortimer-Lamb’s professional life was in the mining industry of Canada. However, he developed a keen interest in photography, especially soft-focus images, and helped bring about the first exhibition of ‘photography as art’ in the province. His subjects included his family as well as many notables such as B.C. Premier Richard McBride, writer Clive Phillipps-Wolley and artists such as Sophie Pemberton (1869-1959). Mortimer-Lamb left Victoria in 1905, heading to Montreal, where he came to know many leading artists of the day including William Brymner (1855-1925), Laura Muntz Lyall (1860-1930) and later, members of the Group of Seven, in particular A.Y. Jackson (1882-1974), whose work he first noted in print in 1911. He was a charter member of the Arts Club of Montreal, contributed art criticism to The Montreal Star and became the Canadian correspondent for the leading art journal, “The Studio“. In 1920, he and his family including his wife, Kate, five children and housekeeper (pregnant with Mortimer-Lamb’s child) returned to Burnaby in B.C. where Molly was soon born, later to become the famed New Brunswick artist, writer and teacher, Molly Lamb Boback (1920-2014). The housekeeper Mary Williams stayed with the Mortimer-Lamb family for 23 years. And in 1942, after the death of his first wife, Mortimer-Lamb married Vera Weatherbie (1909-1977), also an artist, and a muse of Frederick Varley's. In 1928, after his move back to B.C., Mortimer-Lamb, with fellow photographer John Vanderpant (1884-1939), opened the Vanderpant Galleries on Robson Street in Vancouver where arts groups met and artists were showcased including members of the Group of Seven. As in Montreal, Mortimer-Lamb was fully engaged in the arts community – he was a neighbour of Lawren Harris (1885-1970), a patron of Frederick Varley (1881-1969) and was also an early advocate of Emily Carr (1871-1945). He helped to found the Vancouver School of Art in 1925 and the Vancouver Art Gallery in 1931. After Mortimer-Lamb retired in 1941 he began to paint, his works were exhibited in Montreal and Vancouver. His photographic work was widely exhibited in Canada, New York and London, and he was eventually elected an Honorary Fellow of the Royal Photographic Society (RPS). His photographs are held in many public collections, such as the RPS, the University of British Columbia and the National Gallery of Canada. The Royal BC Archives and Museum holds Mortimer-Lamb’s letters, published notices and over 260 photographs. For many years, Mortimer-Lamb fostered a keen interest in the arts overall, frequently lecturing and contributing articles to journals and newspapers. In 1954, Mortimer-Lamb started to give works from his extensive art collection to the Art Gallery of Greater Victoria, and on his and later Vera’s death, they left the contents of their estate to the Victoria gallery including works of art, photographs, his papers and a large financial donation for the purchase of art. This donation was made on the condition that a modern extension to the old building would be built. The new gallery wing opened in 1957. The Vancouver Art Gallery and the Vancouver Museum were also the beneficiaries of Mortimer-Lamb and Vera’s generosity. Mortimer-Lamb died in Burnaby at age 99. For further information see - Robert Amos, “Harold Mortimer-Lamb: the art lover” (Victoria, B.C.: TouchWood Editions, 2013), available in the UCBC Library.

Dimensions

Dimension Description

Support

Height

20.3 cm

Width

20.3 cm

Acquisition

Acquisition Method

Gift

Notes

Image courtesy of Royal B.C. Museum and Archives.

Relationships

Related Entries

Notes

Reproduction photos after photographs by Harold Mortimer-Lamb: 2015.04.01 Boy in Lace Collar 2015.04.02 Dolly with Flower in her Hair 2015.04.04 Portrait of Laura Adeline Muntz Lyall 2015.04.05 Portrait of Sir Richard McBride 2015.04.06 Portrait of Sir Clive Phillipps-Wolley 2015.04.07 Portrait of Sir William Van Horne 2015.04.08 Portrait of Samuel Maclure 2015.04.09 Portrait of Lady Grace Julia Parker Drummond (Mrs. George A. ) 2015.04.10 Portrait of James Jervis Blomfield 2015.04.11 Woodland Scene 2015.04.12 Boats at Dock 2015.04.16 Two Sisters (Daughters of Sir and Lady George Drummond) 2015.04.17 Vera with Glass Globe 2015.04.18 Portrait of Fred Varley 2015.04.19 Dolly at a Tea Party 2015.04.20 Vera Mending in the Doorway 2015.04.21 Woman with Shawl and Blossoms 2023.04.03 Portrait of Lawren Stewart Harris 2023.04.06 Portrait of Samuel Maclure